The History of Yiddish Literature in the Nineteenth Century — John Shaqi
The History of Yiddish Literature in the Nineteenth CenturyWiener, Leo
History
The History of Yiddish Literature in the Nineteenth Century
Wiener, Leo
Yiddish literature -- History and criticism
But commerce and learning are not for girls. They are generally
incapacitated for the first by their onerous duties of home; and
learning, at least a knowledge of the Sacred language and its lore, has
never been regarded as a requisite of woman. She received her religious
instruction and ethical training by means of Judeo-German books which
owe their very origin to the necessity of educating her. The name of the
script in which all these books of the past three centuries are printed
is _Weiberdeutsch_, indicating at once the use to which it was put. The
title-pages of the works generally tell that they are 'gar hübsch
bescheidlich far frumme Weiber un' Maidlich,' or that 'die Weiber un'
Meidlich di Weil damit vertreiben die heiligen Täg.' The Biblical
injunction 'fructify and multiply yourself' invests family life with a
special sacredness, throws a gloom over the childless home, and leads
this people to regard motherhood as the ideal state of the Jewish woman.
All these sentiments find frequent expressions in their songs, and while
the infant boy is lulled to sleep with a recitation of his future manly
virtues, the baby girl hears in her cradle, 'In the month of Tamuz, my
little lady, you will become a mother!'
Childhood alone claims exemption from oppressing thoughts and gloom:
childhood must have its merriments, its pranks, its wantonness, no
matter how serious life is to become later, or how soon it is to be
ended. With the Jew youth, indeed, lasts but 'an hour,' and in
after-life he has many an occasion to regret its short duration:
Jāhren klēine, Jāhren schoene,
Wās sent ihr asō wēnig dā?
Ihr sent nor gekummen,
Me hāt euch schoen aufgenummen,
Un' sent nor gewe'n bei uns ēin Scho?
Jāhren junge, Jāhren g'ringe,
Wās sent ihr asō gich aweg?
Es seht euch nit kēin Äugel,
Es derjāgen euch nit die Voegel,
Ihr sent aweg gār ohn' ein Eck'!
Little years, beautiful years, why are there so few of you? You had
scarcely come, you were well received, and you stayed but an hour
with us!--Young years, light years, why have you passed so quickly?
Not an eye can see you, not a bird can fly as swiftly, you have
passed without return!
The number of ditties sung by children is very great. They do not in
general differ from similar popular productions of other nations, either
in form or content; some are evidently identical with German songs,
while a few are Slavic borrowings.
But there are two classes of songs peculiarly Jewish: the mnemonic lines
for the study of Hebrew words, and those that depict the ideal course of
a boy's life. To the second belongs:
Public-domain text, read in full here on John Shaqi.
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