The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and authorWyatt, M. Digby (Matthew Digby), Sir
History
The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and author
Wyatt, M. Digby (Matthew Digby), Sir
Alphabet; Illumination of books and manuscripts; Initials
Gall is too celebrated to require mention. The
Bobbio manuscripts are known everywhere by the discoveries which have been
made in the _palimpsests_ which once belonged to that collection. As for
the manuscripts of Luxeuil, they have been dispersed; but the specimens of
them which are to be found in the Libri collection, joined to what has been
published on the subject by Mabillon, O'Conor, and others, prove
unanswerably that in this abbey, as well as in that of Stavelot in Belgium,
and other ancient monasteries on the Continent, a school of writing and
_miniature_ had sprung up as remarkable for the beauty of its caligraphy,
as for the care applied to reproduce the forms of the Anglo-Irish
schools."[30]
In delicacy of handling, and minute but faultless execution, the whole
range of palæography offers nothing comparable to these early Irish
manuscripts, and those produced in the same style in England. When in
Dublin, some years ago, I had the opportunity of studying very carefully
the most marvellous of all--"The Book of Kells;" some of the ornaments of
which I attempted to copy, but broke down in despair. Of this very book,
Mr. Westwood examined the pages, as I did, for hours together, without ever
detecting a false line, or an irregular interlacement. In one space of
about a quarter of an inch superficial, he counted, with a
magnifying-glass, no less than one hundred and fifty-eight interlacements,
of a slender ribbon pattern, formed of white lines, edged by black ones,
upon a black ground. No wonder that tradition should allege that these
unerring lines should have been traced by angels.[31] However "angelic" the
ornaments may be, but little can be said in favour of the figure subjects
occasionally introduced. In some manuscripts, such as the Book of Kells, in
pose and motive it is generally obvious that some ancient model has been
held in view; but nothing can be more barbaric than the imitation; while in
the other specimens, such as the so-called autograph Gospels of St.
Columba, or Columbkill, who died A.D. 594, two years before the advent of
St. Augustine--the Book of St. Chads, or the Gospels of MacRegol--no such
evidence of imitation is to be met with, and the figures are altogether
abortive.
Public-domain text, read in full here on John Shaqi.
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