The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and authorWyatt, M. Digby (Matthew Digby), Sir
History
The History, Theory, and Practice of Illuminating: Condensed from 'The Art of Illuminating' by the same illustrator and author
Wyatt, M. Digby (Matthew Digby), Sir
Alphabet; Illumination of books and manuscripts; Initials
I was enabled some years ago, by the kindness of the Rev. J. H. Todd, the
learned librarian of Trinity College, Dublin, to compare the so-called
autograph Gospels of St. Columba, with the Book of Kells, which is
traditionally supposed to have belonged to that saint, and remained
strongly impressed with the superior antiquity of the former to the latter.
The one may have been his property, and the other illuminated in his honour
after his death, as was the case with the Gospels of St. Cuthbert. In none
of them, at any period, were shadows represented otherwise than by apparent
inlayings under the eyes and beside the nose; and yet, at the same time,
the ornaments were most intricate, and often very beautiful, both in form
and colour. The purple stain is frequently introduced, and is of excellent
quality; but gold appears, so far as I have been able to observe, only in
the Durham Book, and in that even most sparingly.[32] It is the most
celebrated production of the Anglo-Hibernian monastery of Lindisfarne,
founded by St. Aidan and the Irish monks of Iona, or Icolumkille, in the
year 634.
St. Cuthbert, who was made bishop of Lindisfarne in 685, was renowned as
well for his piety as for his learning; he died in 698, and, as a monument
to his memory, his successor, Bishop Eadfrith, caused to be written this
noble volume, generally called the Durham Book, and known also as St.
Cuthbert's Gospels, now in the British Museum. This manuscript, surpassed
in grandeur only by the Book of Kells, in the same style, was greatly
enriched by Æthelwald, bishop of Lindisfarne, who succeeded Eadfrith in
721, and caused St. Cuthbert's book to be richly illuminated by the hermit
Bilfrith, who prefixed an elaborate painting of an Evangelist to each of
the four Gospels, and also illuminated the capital letters at the
commencement of each book. The bishop caused the whole to be encased in a
splendid binding of gold, set with precious stones; and in 950, a priest
named Aldred rendered the book still more valuable by interlining it with a
Saxon version of the original manuscript, which is the Latin text of St.
Jerome.
Public-domain text, read in full here on John Shaqi.
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