As you approach it from the south it discloses itself as a mass of bold outline and high colour in the midst of a great field of verdure, flanked on the west by precipitous hills of sand and rock--sheer tilted desert. When you climb those hills you see the white city, jewelled with her minarets of many hues, resting on a cloth of dark green velvet whose edge is sharply defined. Immediately beyond that edge the sand begins, stretching into the farther desert through paler and paler shades of rose and yellow to the lilac hills in the eastern distance. It is not only the water-springs, however, that provide the land with vivid foregrounds. Loti describes a little sand-hill in the desert “all bespangled with mica,” which “sets itself out, shining like a silver tumulus.” Such bold and detached features are by no means uncommon even on the west of the Jordan. The name of the cliff “Bozez” in Michmash means “shining,” and there are many shining rocks in these valleys--either masses of smooth limestone, or dark basalt rocks, from whose dripping surface the sun is reflected in blinding splendour after rain. Even without such reflection the sudden intrusion of black rock will often give character to an otherwise neutral landscape. But the sun is the magician of Syria, who bleaches her and then throws up against his handiwork the boldest contrasts of strong light and shade. No one who has seen the crimson flush of sunset on the olives, or the sudden change of a grey Judean hill-side to rich orange, or the whole eastern cliffs of the Sea of Galilee turned to the likeness of flesh-coloured marble, will be likely to forget the picture. Loti’s wonderful description of desert sunsets--“incandescent violet, and the red of burning coals”--is not overdrawn. Shadows will transform the poorest into the richest colouring. The tawny desert changes to the luscious dark of lengthening indigo at the foot of a great rock; and the shadows of clouds float across Esdraelon, changing the red plain to deep wine-colour as they pass. Silhouettes are of daily occurrence in that crisp air. One scene in particular made an indelible impression. It was a village on terraced heights, thrown black against a gold and heliotrope sunset. The figures of Arabs standing or sitting statuesque upon the sky-line were magnified to the appearance of giant guardians of the walls, and the miserable little hamlet might have been an impregnable fortress.