detail, and the general effect is that of a religious atmosphere in
which all one’s ordinary thoughts and feelings are lost in the
overpowering sense of “something rich and strange.” After the magic of
that light, with its blended purple and amber and ruby, the finest
Western work seems harsh. It is hardly light; it is illuminated shadow.
The rugs and carpets, with their intricate colouring, are more familiar
and need not be described. The finest of them are of silk, and their
delicacy of shade is marvellous. The patterns constantly elude the eye,
promising and just almost reaching some recognisable figure, only to
lose themselves in a bright maze. It is said that they were suggested by
the meadows of variegated flowers; but they are intenser and more
passionate--as if their designers had felt that their task was to supply
an even stronger counterpart to the faint landscape.
The gay clothing of the East is proverbial. Even the poorest peasants
are resplendent. “Fine linen” is still the mark of the rich man, but
Lazarus can match him for “scarlet.” In certain parts the men are clad
in coats of sheepskin, the wool being inside, and protruding like a
heavy fringe along the edges. Almost everybody’s shoes are bright red.
In one place we saw a shepherd whose sheepskin coat had met with an
accident, and the patch which filled the vacant space in the raw brown
back of him was of an elaborate tartan cloth. In another village all the
men wore crimson aprons. When our camp-servants were on the march they
seemed to be in sackcloth, or in thick grey felt which suggested
fire-proof apparel; but when they reached a town they blossomed out into
a rainbow. Children playing in a village street, women at the wells,
statuesque shepherds standing solitary in the fields, all seemed
arranged as for a tableau. Everybody official--the railway guard, the
escort, even the mourner at a funeral--is immensely conscious of his
dignity; and on him descends the spirit of Solomon in all his glory. The
man you hire to guide you for a walk of half a dozen miles will
disappear into his house and emerge in gorgeous array. One of our guides
decked himself in flowing yellow robes and marched before us
ostentatiously carrying in front of him a weapon which appeared to be a
cross between a carving-knife and a reaping-hook, through a land
peaceful as an infant school. A procession marching to some sacred place
across a plain lights the whole scene as with a string of coloured
lanterns. Even where the natives have adopted European dress the fez is
retained, and a crowd of men, seen from above, is always ruddy.
Public-domain text, read in full here on John Shaqi.
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