The Holyhead Road: The Mail-coach Road to Dublin. Vol. 1Harper, Charles G. (Charles George)
History
The Holyhead Road: The Mail-coach Road to Dublin. Vol. 1
Harper, Charles G. (Charles George)
A5 Road (England and Wales); England -- Description and travel; England -- Social life and customs
The Holyhead and the Great North Roads are identical as far as Barnet,
and the first landmark on the way is the “Angel.” Every one knows the
“Angel,” Islington. It is a great deal more than a public-house, and has
attained the dignity of a geographical expression. Any teetotaller can
afford to know the “Angel,” and the acquaintance is no more a stigma
than an intimacy with the English Channel or the North Foreland. Five
roads meet at this spot—for seventy years or so the meeting and starting
point of omnibuses to and from all parts of North London. Nothing
strikes the foreigner with greater astonishment than that our omnibus
routes start from or end at some public-house, and that the “Angel,” the
“Elephant and Castle,” the “Eyre Arms,” and the “Horns,” should be
household names in different parts of London. The intelligent foreigner
goes away and writes scathingly upon what he considers an evidence of
drunkenness rampant in all classes of English society, and does not stop
to enquire the origin of the custom, to be found far back in omnibus
history, when many public-houses had convenient stables, and omnibus
proprietors had none.
The “Angel” is not in Islington at all, but just within the parish of
Clerkenwell. How it came to be just inside the Clerkenwell boundary is
told in the legend of a pauper being found dead in what was then called
Back Road, now the Liverpool Road, at that time in the great parish of
St. Mary, Islington (which by the way, is the largest and most populous
parish in England, numbering over 350,000 souls), but now, with the
“Angel” in that of St. John’s, Clerkenwell. Islington refused to bury
the pauper and Clerkenwell performed that duty, afterwards claiming the
land.
Public-domain text, read in full here on John Shaqi.
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