It remains uncertain whether those protective railings were erected for the sake of the suicides, or for that of the increased number of persons who used the Archway Road when tolls were abolished, some of whom might have been injured by those too anxious to shuffle off their mortal coil, to first ascertain whether or not the road was clear. Certain, however, it is that it mattered very much to the local authorities from which side the suicides came down: the territory of the Islington Vestry having been on one side and that of the Hornsey Local Board on the other. It is even related that one authority proposing to the other that railings should be erected, and meeting with a refusal to share the cost, fenced in its own side and thus left the self-murderers no choice. The expense and trouble of the necessary inquests falling on the other authority speedily brought about the railing-in of that side also. VIII The roadway of Highgate Archway is on a level with the cross upon the dome of St. Paul’s. From what the perfervid preachers of our own time—the Solomon Eagles of our day—call that “sink of iniquity,” the voice of London, inarticulate, like the growl of a fierce beast, rises continually, save for some sleepy hours between midnight and the dawn. Frank Osbaldistone, in _Rob Roy_, journeying north, heard the hum of London die away on his ear when he reached Highgate, the distant peal of her steeples sounding their admonitory “turn again,” just as they did to Whittington. Looking back from the Hill upon the dusky magnificence of the Metropolis, he felt as if he were leaving behind comfort, opulence, the charms of society, and all pleasures of cultivated life. The modern wayfarer is not so easily rid of the Great City, whose low-pitched roar not only follows him to these northern heights, but pursues him, clamant, onwards through Finchley, and whose rising tide of houses now laps the crest of Highgate Hill and spills over the brim, in driblets of new suburban streets, like a brick and mortar Deluge. Just half a mile past the Archway, which of old was the _ultima thule_, the Hercules Pillars of London in this direction, still stands the “Woodman” inn, pictured in the coaching print of the thirties, shown over page. It is the original building that still stands here, but carved and cut about and greatly altered, and stands converted into an ordinary public-house. The curious little summer-house, or look-out, remains, little changed, but no visitors ascend to it to admire the view with telescopes, as we see them doing in the picture; for the spreading hill and dale towards London are covered with houses—objects not so rare in the neighbourhood of London that one needs to seek them with a spy-glass. [Illustration: THE “WOODMAN,” FINCHLEY, 1834: COVENTRY AND BIRMINGHAM COACH PASSING. _From a Print after J. Pollard._ ]