Southwood Lane, opposite this old inn, leads across from this branch of the high road to Highgate village, which should be noticed before the modern spirit seizes upon and transforms it. “When Highgate Archway and the Archway Road were completed, in 1813, and traffic, notwithstanding the heavy tolls, began to come and go this way, Highgate village was ruined. Few cared to painfully toil up Highgate Hill and go through the once busy village down the corresponding descent of North Hill. Ever since then, while the suburbs round about have grown, Highgate village has gradually decayed. Little alteration has been made here in the broad street—empty now, that was once so busy—and Highgate remains preserved like a fly in amber, testifying to the old-world appearance of a typical coaching village near London. True it is that its fine old houses are a thought shabby, while the “Red Lion,” though still standing, has long been closed, and its elaborate sign-post innocent these many years of its swinging sign. The “Gatehouse Tavern,” too, was rebuilt in 1896; but, for the rest, Highgate is the Highgate of old. “Established over five hundred years” was the legend displayed by the old “Gatehouse Tavern” pictured here. Many old clubs held high revel in it—literary clubs and others making their several ostensible objects the excuse for holding high revel. _Punch_ itself was founded in a pot-house. Among the clubs that foregathered here were the “Ash Sticks,” the “Aged Pilgrims,” and the “Ben Jonson”; while in the old low-ceilinged rooms the Sunday ordinary that was long a favourite institution, combined with some deservedly renowned port, attracted George Cruickshank (before he found grace and became a total abstainer) and his brother Robert; Archibald Hemming, _Punch’s_ first cartoonist; and many an Early Victorian. The steep descent of North Hill brings the explorer from old Highgate to East Finchley, where a modern suburb struggles bravely, but with indifferent success, to live down the depressing circumstance of being set in midst of some half-dozen huge cemeteries, and on a road along which every day and all day a continual stream of funeral processions passes dismally along. The chief gainer from this traffic appears to be the “Old White Lion,” where the mourners halt and refresh on their return. Mourning should seem, judging from the assemblage outside the “Old White Lion” (which should surely, in complimentary mourning, be the “Old _Black_ Lion”), to be a thirsty business.