The last-described form of the chiton, which formed the kolpos and bib by means of the girdle and pins, continued in the next period, and seems not only to have extended throughout Greece, but also throughout later Greek antiquity down to the Roman period. But there were also several other styles of dress, distinguished partly by their shape, partly by the manner of wearing. Thus, for instance, the general form of the chiton was retained, but the dress was made more comfortable by the separate construction of the bib, which, as we observed, was probably the case at an earlier period too, and by sometimes omitting it altogether. Sometimes, again, only a light chiton was worn without any kolpos or bib, either with a girdle which was sometimes worn above the waist (compare Fig. 23, “A Daughter of Niobe”), or sometimes falling quite freely (compare Fig. 24). Afterwards it was not unusual for the bib to fall below the girdle, while the kolpos was entirely absent (compare Fig. 25), or else fell above the bib (compare Fig. 20). In the graceful female figure in Fig. 26 there is another peculiarity. Here, as in Fig. 25, the chiton is open at one side, even below the hips, which was not the case with the ordinary dress, especially that worn out of doors. It is probable that this was the original form of the so-called Doric chiton, for it is thus that the Doric maidens were dressed, and on this account were mockingly described as “showing their hips.” In the ideal figures the chiton of Artemis and the Amazons, [Illustration: FIG. 24.] though shorter, is of the same kind. The form of the chiton fastened together all round originated so early that we only find the kind open at the side in rare instances on the oldest monuments. This chiton corresponds in shape most closely to the short male chiton; like this, it often only extends to the knees, and is fastened on the shoulders by pins without forming the bib. The dress with regular sleeves is also found in the later costume, either connected with the under garment or specially constructed so as to cover only the upper part of the body. It was fastened together all round, and opened at the sleeves, which were constructed by buttons. [Illustration: FIG. 25.] The himation continued to be the usual upper garment. In the older costume of the sixth and fifth centuries it is often treated as a scarf in the manner above described, with two points falling down in front over the shoulders (compare Figs. 4 and 24), but afterwards women began to wear the himation in the same way as men, either enveloping the arms entirely or leaving the right arm free (compare Fig. 23). A third mode of wearing the himation, which, however, is commoner in older than in later costume, is to draw it from the right shoulder across the breast to the left hip, leaving the left breast uncovered, and letting the points fall down on the right [Illustration: FIG. 26.]