Another dream: _Late at night in a big garden. Many people about to take their leave after an afternoon spent in irrelevant gossip. My parents were also among those present. My father was in a hurry to get to town. He leaves. It is very dark. Presently a station bell, the whistle of a locomotive. I shout into the night’s darkness not knowing whether any one hears me or not: he is lucky! He is just in time to catch the train. And I think of following in an hour. I am very tired. I am happy in my bed at home._ _Sunny afternoon in a poor quarter of a suburb. Under a window of an apartment window there are a number of tin vessels which I know, belong to the woman above. An elderly woman is preoccupied with the vessels, holding each vessel up to the light, as if testing them, but I know that she is merely awaiting the opportunity to run off with them. A window is raised in the neighboring house, a woman calls out to the woman living in the apartment under whose window the vessels are lying, to watch out for the stranger. By that time I myself am standing in the owner’s room. She is just putting on her best toilette. The warning neighbor appears and scolds the vain woman who on account of her vanity neglects to watch out for her things._ Addition: _I was in the next room. The woman had a little girl with her. I held my penis in hand pursued the two and wanted them to take it in their hand; and thus the ejaculation...._ _The woman’s hands disgusted me because they were dirty._ This is hardly the place for a complete analysis of the whole dream. The first part, the falling into a deep basin is a hypnagogic vision and represents the process of falling asleep, the descent into the depths of primordial man. The rapidly passing automobile, the danger. The representation of Tristan refers to a great passion for a queen. _Schœnbrunn_, the former Kaiser’s summer residence, refers to the parental home. Isolde is also a queen, who is lost forever for Tristan. Is it not rather remarkable that he should dream of Tristan and Isolde, the quintessential epic of heterosexual love? And does not the cancellation correspond precisely to his cryptic wish? The thought of a fall into the depths is continually recurring as well as the inhibitions about things not holding out (hence the steadying with the feet for support). The man in evening dress represents the love of a modern cultural man in contrast with a Tristan. He himself is Tristan, the onlooker and the singing _Einjährig-Freiwillige_. Finally another picture: parting, _i.e._, his father’s death: “He was lucky.” What is the meaning of that? He has caught the train on time! Recalling that in one of his previous dreams the subject was unable to catch the electric car, we understand that his father found time to attain his aim,—a tempo—while he himself is late. We shall be informed presently about the meaning of this aim. And back of all inhibitions another picture breaks