London (England) -- Fiction; Theater -- Fiction; Young women -- Fiction
Produced by Al Haines.
[Illustration: Cover]
[Illustration: SHE PUT ALEXANDRIA INTO THE MOST COMFORTABLE OF HER
CHAIRS AND DREW ANOTHER CLOSE TO IT. PAGE 103.]
THE HONEY-POT
BY
THE COUNTESS BARCYǸSKA
Author of "The Little Mother Who
Sits at Home."
NEW YORK
E. P. DUTTON & COMPANY
681 FIFTH AVENUE
1916
Copyright, 1916
BY E. P. DUTTON & COMPANY
FIRST IMPRESSION, FEBRUARY 1916
SECOND IMPRESSION, FEBRUARY 1916
_I am a traveler in the great World-path; my garments are dirty and my
feet are bleeding with thorns. Where should I achieve flower-beauty,
the unsullied loveliness of a moment’s life? The gift that I proudly
bring you is the heart of a woman. Here have all pains and joys
gathered, the hopes and fears and shames of a daughter of the dust; here
love springs up struggling toward immortal life. Herein lies an
imperfection which yet is noble and grand. If the flower service is
finished, my master, accept this as your servant for the days to come_.
—Rabindranath Tagore.
THE HONEY-POT
I
In her petticoat, barefooted, because the morning was sultry, Miss Maggy
Delamere plied a well-worn hare’s foot to her cheeks with the sure touch
of an artist. Professionally speaking and adding a final "e" to the
term, that is what she was—chorus-lady by courtesy, showgirl in the
vernacular of the stage. On her small dressing-table were ranged a
number of pots and bottles, unguents and creams. A battered make-up box
containing remnants and ends of variously colored grease sticks flanked
a looking-glass of inadequate size and small reflective power. A beam
of sunlight striking across a corner of the table danced with minute
particles of dust from a powder-puff.
The astonishing amount of vigor she put into the process of facial
adornment, the prodigality with which she used pigments and washes, were
characteristic of her temperament, all generosity and recklessness.
Paint and powder were a habit with her, not an exigency. No girl of
nineteen could have needed them less. Her complexion, well-nigh
flawless, bloomed beneath the unnecessary veneer. Not even a cracked
mirror could mitigate her good looks nor detract anything from her
vivacious expression. It reflected a speaking face even when the lips
were still.
She was taking unusual pains with her appearance this morning. A card
stuck in the edge of the looking-glass provided the reason.
_Memo. from A. Stannard, Dramatic Agent._
PALL MALL THEATRE.
_Voice Trial, June 22nd, 10.45 a. m._
Public-domain text, read in full here on John Shaqi.
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