The horror at Red HookLovecraft, H. P. (Howard Phillips)
Science
The horror at Red Hook
Lovecraft, H. P. (Howard Phillips)
Cults -- Fiction; Horror tales; Occultism -- Fiction; Red Hook (New York, N.Y.) -- Fiction; Short stories
He was, it developed, a New York police-detective named Thomas F.
Malone, now on a long leave of absence under medical treatment after
some disproportionately arduous work on a gruesome local case which
accident had made dramatic. There had been a collapse of several old
brick buildings during a raid in which he had shared, and something
about the wholesale loss of life, both of prisoners and of his
companions, had peculiarly appalled him. As a result, he had
acquired an acute and anomalous horror of any buildings even remotely
suggesting the ones which had fallen in, so that in the end mental
specialists forbade him the sight of such things for an indefinite
period. A police surgeon with relatives in Chepachet had put forward
that quaint hamlet of wooden Colonial houses as an ideal spot for the
psychological convalescence; and thither the sufferer had gone,
promising never to venture among the brick-lined streets of larger
villages till duly advised by the Woonsocket specialist with whom he
was put in touch. This walk to Pascoag for magazines had been a
mistake, and the patient had paid in fright, bruises, and humiliation
for his disobedience.
So much the gossips of Chepachet and Pascoag knew; and so much, also,
the most learned specialists believed. But Malone had at first told
the specialists much more, ceasing only when he saw that utter
incredulity was his portion. Thereafter he held his peace,
protesting not at all when it was generally agreed that the collapse
of certain squalid brick houses in the Red Hook section of Brooklyn,
and the consequent death of many brave officers, had unseated his
nervous equilibrium. He had worked too hard, all said, in trying to
clean up those nests of disorder and violence; certain features were
shocking enough, in all conscience, and the unexpected tragedy was
the last straw. This was a simple explanation which everyone could
understand, and because Malone was not a simple person he perceived
that he had better let it suffice. To hint to unimaginative people
of a horror beyond all human conception--a horror of houses and
blocks and cities leprous and cancerous with evil dragged from elder
worlds--would be merely to invite a padded cell instead of a restful
rustication, and Malone was a man of sense despite his mysticism. He
had the Celt's far vision of weird and hidden things, but the
logician's quick eye for the outwardly unconvincing; an amalgam which
had led him far afield in the forty-two years of his life, and set
him in strange places for a Dublin University man born in a Georgian
villa near Phoenix Park.
Public-domain text, read in full here on John Shaqi.
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