The horror at Red HookLovecraft, H. P. (Howard Phillips)
Science
The horror at Red Hook
Lovecraft, H. P. (Howard Phillips)
Cults -- Fiction; Horror tales; Occultism -- Fiction; Red Hook (New York, N.Y.) -- Fiction; Short stories
And now, as he reviewed the things he had seen and felt and
apprehended, Malone was content to keep unshared the secret of what
could reduce a dauntless fighter to a quivering neurotic; what could
make old brick slums and seas of dark, subtle faces a thing of
nightmare and eldritch portent. It would not be the first time his
sensations had been forced to bide uninterpreted--for was not his
very act of plunging into the polyglot abyss of New York's underworld
a freak beyond sensible explanation? What could he tell the prosaic
of the antique witcheries and grotesque marvels discernible to
sensitive eyes amidst the poison cauldron where all the varied dregs
of unwholesome ages mix their venom and perpetuate their obscene
terrors? He had seen the hellish green flame of secret wonder in
this blatant, evasive welter of outward greed and inward blasphemy,
and had smiled gently when all the New Yorkers he knew scoffed at his
experiment in police work. They had been very witty and cynical,
deriding his fantastic pursuit of unknowable mysteries and assuring
him that in these days New York held nothing but cheapness and
vulgarity. One of them had wagered him a heavy sum that he could
not--despite many poignant things to his credit in the _Dublin
Review_--even write a truly interesting story of New York low life;
and now, looking back, he perceived that cosmic irony had justified
the prophet's words while secretly confuting their flippant meaning.
The horror, as glimpsed at last, could not make a story--for like the
book cited by Poe's German authority, "er lässt sich nicht lesen"--it
does not permit itself to be read.
II
To Malone the sense of latent mystery in existence was always
present. In youth he had felt the hidden beauty and ecstasy of
things, and had been a poet; but poverty and sorrow and exile had
turned his gaze in darker directions, and he had thrilled at the
imputations of evil in the world around. Daily life had for him come
to be a fantasmagoria of macabre shadow-studies; now glittering and
jeering with concealed rottenness as in Aubrey Beardsley's best
manner, now hinting terrors behind the commonest shapes and objects
as in the subtler and less obvious work of Gustave Doré. He would
often regard it as merciful that most persons of high intelligence
jeer at the inmost mysteries; for, he argued, if superior minds were
ever placed in fullest contact with the secrets preserved by ancient
and lowly cults, the resultant abnormalities would soon not only
wreck the world, but threaten the very integrity of the universe.
All this reflection was no doubt morbid, but keen logic and a deep
sense of humor ably offset it. Malone was satisfied to let his
notions remain as half-spied and forbidden visions to be lightly
played with; and hysteria came only when duty flung him into a hell
of revelation too sudden and insidious to escape.
Public-domain text, read in full here on John Shaqi.
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