The horror at Red HookLovecraft, H. P. (Howard Phillips)
Science
The horror at Red Hook
Lovecraft, H. P. (Howard Phillips)
Cults -- Fiction; Horror tales; Occultism -- Fiction; Red Hook (New York, N.Y.) -- Fiction; Short stories
He had for some time been detailed to the Butler Street station in
Brooklyn when the Red Hook matter came to his notice. Red Hook is a
maze of hybrid squalor near the ancient waterfront opposite
Governor's Island, with dirty highways climbing the hill from the
wharves to that higher ground where the decayed lengths of Clinton
and Court Streets lead off toward the Borough Hall. Its houses are
mostly of brick, dating from the first quarter of the middle of the
nineteenth century, and some of the obscurer alleys and byways have
that alluring antique flavor which conventional reading leads us to
call "Dickensian." The population is a hopeless tangle and enigma;
Syrian, Spanish, Italian, and Negro elements impinging upon one
another, and fragments of Scandinavian and American belts lying not
far distant. It is a babel of sound and filth, and sends out strange
cries to answer the lapping of oily waves at its grimy piers and the
monstrous organ litanies of the harbor whistles. Here long ago a
brighter picture dwelt, with clear-eyed mariners on the lower streets
and homes of taste and substance where the larger houses line the
hill. One can trace the relics of this former happiness in the trim
shapes of the buildings, the occasional graceful churches and the
evidences of original art and background in bits of detail here and
there--a worn flight of steps, a battered doorway, a wormy pair of
decorative columns or pilasters, or a fragment of once green space
with bent and rusted iron railing. The houses are generally in solid
blocks, and now and then a many-windowed cupola arises to tell of
days when the households of captains and ship-owners watched the sea.
From this tangle of material and spiritual putrescence the
blasphemies of an hundred dialects assail the sky. Hordes of
prowlers reel shouting and singing along the lanes and thoroughfares,
occasional furtive hands suddenly extinguish lights and pull down
curtains, and swarthy, sin-pitted faces disappear from windows when
visitors pick their way through. Policemen despair of order or
reform, and seek rather to erect barriers protecting the outside
world from the contagion.
The clang of the patrol is answered by a kind of spectral silence,
and such prisoners as are taken are never communicative. Visible
offenses are as varied as the local dialects, and run the gamut from
the smuggling of rum and prohibited aliens through diverse stages of
lawlessness and obscure vice to murder and mutilation in their most
abhorrent guises. That these visible affairs are not more frequent
is not to the neighborhood's credit, unless the power of concealment
be an art demanding credit. More people enter Red Hook than leave
it--or at least, than leave it by the landward side--and those who
are not loquacious are the likeliest to leave.
Public-domain text, read in full here on John Shaqi.
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