Detective and mystery stories; Murder -- Investigation -- Fiction; New York (N.Y.) -- Fiction
He'd overslept again, which was unusual for him. He was at his best
right after breakfast, when the typewriter keys seemed to come to life
under his fingers and the beautiful words rushed pell-mell across a
virgin sheet of white bond stationery--so fast that the keys sometimes
interlocked, and caused an infuriating delay which he could do nothing
about.
Orange juice, scrambled eggs and buttered toast, followed by three
cups of strong black coffee, could work wonders right after breakfast.
By noon he often found himself slowing down just a little. But he
increased his writing tempo again right after lunch and continued on
briskly, as a rule, until he called it a day at four in the afternoon.
He had never been a burner of the midnight oil--the phrase had an
old-fashioned but Parisian ring which he somehow liked--not even in
college when he'd had to cram a hell of a lot to bluff his way through
sessions of trig and calculus which he violently disliked. A writer
could be independent, at least, completely himself, choose his own
hours of work--
The knocking came again, louder this time, putting an abrupt end to his
thoughts.
"Wait a minute!" he called out. "I just got up. For Pete's sake, you
little dope, give me a chance to put something on."
"How did you know it was me, Ralph?"
"No one else would make such a racket!" he called back.
"I'm sorry, lover boy. I just thought--"
"Stop it, will you? What kind of a reputation are you trying to pin on
me? Please, Nora, show some sense. I've got a busy day ahead of me."
He crossed the room, whipped a pair of gray doeskin slacks from the
back of a chair, gathered up his socks from under the bed, kicked off
his slippers and sat down on the edge of the bed, pulling on socks and
trousers with awkward twistings-about.
When he went to the open door he was also wearing a shirt.
It never ceased to amaze him how closely life paralleled fiction--even
the most realistic, hard-boiled kind of fiction, the Hemingway sort of
thing. A struggling young writer and the landlady's daughter--brother,
it sure could be made to fit. Anywhere, any place, any time, which
meant, of course, that the hard-boiled writers were basically
incurable romantics who took their cue from the way life always has of
duplicating romantic patterns all over the place--every hour of every
day and night. Especially every night.
Not that he'd slept with her or wanted to particularly. She was a
forlorn, pathetic, over-effusive, well-meaning girl of nineteen, who
could not speak grammatically for more than three sentences at a
stretch, but whose syntax was colorful enough at times to arouse the
interest of most protective males. A man with a Pygmalian complex
would have been instantly drawn to her, would have seen tremendous
possibilities in her.
"_Darling, I'll make you over completely. You don't realize what
tenderness, affection, understanding can do. You're a rare and unusual
woman, but you've never had a chance to develop._"
Public-domain text, read in full here on John Shaqi.
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