Detective and mystery stories; Murder -- Investigation -- Fiction; New York (N.Y.) -- Fiction
Perhaps he should have felt that way himself. But somehow he couldn't.
She just wasn't physically attractive enough. Not bad looking, exactly,
and a beauty parlor could have done wonders for her. But he had other
things on his mind--at least for the moment.
She stood facing him in the doorway, looking more forlorn than usual,
as if she regretted the slightly mocking way she'd called out to him
through the door, calling him "silly" and all that--he had been too
drowsy to take in the words, but he had an obscure feeling that she'd
said something she was now regretting and her first words made him sure
of it.
"I guess this story just wasn't liked by one of those stupid editors
you're always saying don't know their--it's a word I don't like to
use--from a hole in the ground. Do you want me to open it for you?"
"No, I'll open it," he said. He took the large, bulky envelope from
her, and started to close the door, half-blocking the aperture with his
body, but she squeezed past him into the room.
She crossed the room with a slow, self-conscious undulation of her
hips and sat down on the edge of his bed. He felt a sudden stab of
compassion for her. She was doing her pathetic best to entice him and
he was in no mood to be enticed.
The bulky envelope had given him a jolt. It wasn't the worst jolt he'd
ever experienced--he'd sold fifteen stories to the small-circulation
quality magazines and two to the slicks, and you had to expect
rejections now and then--but he had counted heavily on this particular
story going over big.
It was an unusual story, a powerful story. He'd put virtually
everything he had into it. And now--it had been slammed, thrown back in
his face, with probably a miserable, printed rejection slip. Editors
just didn't give a damn how much they hurt you--or insulted you. Quite
famous authors occasionally got printed rejection slips. He knew that,
but it didn't make the outrage even slightly more palatable or easy to
accept.
He looked at the neat, printed address--Ralph Gilmore, 559 West 38th
Street, New York City--and an angry flush mounted to his cheekbones.
Not typewritten--_printed_--as if some incredible new machine had been
used to add insult to injury.
He tore the envelope open and hesitated for an instant before removing
its contents. What if he had been jumping to an unjust conclusion?
He had no absolute assurance that the envelope contained a rejection
slip. Quite possibly the editor had written him a long and sympathetic
letter, expressing sincere regrets.
No ... that would have been worse. A hundred times worse. The
manuscript had been returned to him, so obviously it had been rejected.
What the hell did he care about how sorry the editor might feel about
it?
Public-domain text, read in full here on John Shaqi.
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