WHEN one is a child one imagines that events are going to rush one upon
another like the two opposite camps of a game of prison-bars. The next
morning I expected something extraordinary to happen, the first result
of which would be a holiday from school. Surely no one would work when
the house was threatened! I was astonished on being called at the usual
hour, when I was settling myself to make up my lost sleep, and sent to
school just as usual. Stephen, always absent minded and absorbed in his
prayers, had noticed nothing. But Bernard, the eldest, appeared to me
to lack his usual high spirits; no doubt he considered me too young to
share his dejection. None of us exchanged any confidences on the way to
school.
This silence was the beginning of forgetting. I soon recovered from
the alarm of the preceding evening, and very soon, as we continued to
live in the house, I concluded that our enemies had beat an unexpected
retreat.
“They wouldn’t dare,” Aunt Deen had declared.
Nevertheless, a few days later, happening to be in mother’s room, she
received a visit from her dressmaker, a maiden of a certain age with
mahogany coloured hair, such as I have never seen on any other head.
Mother excused herself for having summoned her for so small a matter,
simply a making-over, and not a new gown.
“When one has seven children,” she added prettily, “one must be
reasonable. And besides I am no longer very young.”
“Madame is always young and beautiful,” protested the artist.
From my corner I considered this protest misplaced. Neither the age nor
the face of my mother belonged to this lady of the mahogany hair, but
well and duly to me and my brothers and sisters. Whether she was pretty
or ugly, young or old, concerned us alone.
“So,” concluded my mother, “here is a gown which you can easily alter a
little. You are so clever.”
“Madame has worn it a good deal already.”
“Precisely, I am attached to it.”
This time I thought the dressmaker was right, in putting on a
disdainful air as she accepted the work so unworthy of her. Without
question the gown in question had been often worn.
At the moment I saw no connection between this episode and our domestic
drama. My mother would always be beautiful enough, and clothes could
make no difference. Family discussions, however, usually took place in
the octagon parlour, which could only be entered by passing through
our bedroom. It was quite isolated, and one could be sure of not being
interrupted. We hardly ever went there except for our music lessons,
since the cupboard chapel had been put out of commission.
Public-domain text, read in full here on John Shaqi.
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