The birth of Eve seemed lovely to me. While Adam sleeps among the
flowers of Eden, she uprises erect and unclothed, with floating hair.
One of her knees--look at it, I am sure of it!--slightly bent, is
caressed by the sunlight. Through her, by this light upon her knee,
I felt something of the pure perfection of nudity long before I even
dreamed of its desire. Abraham leads his flocks to the land of Canaan,
and the backs of the huddled sheep undulate like the waves that I had
seen from the lake shore. The cradle of Moses floats upon the Nile;
Pharaoh’s daughter has come out from the palace that stands basking in
the sun; she draws near the river; one of her waiting women takes up
the little bark. Rebecca, in a long white veil, rests her pitcher upon
the margin of the well and talks with Eliezer, a venerable old man; but
I don’t distinguish her from the Samaritan woman who takes the same
position. Ruth, kneeling, gleans the wheat ears. The great cedars of
Lebanon, cut down, lie upon the earth which their shadow overspreads;
they are waiting to be used in building the temple in Jerusalem. The
angel of the Annunciation hovers in the air, like a falling leaf upheld
by the wind. Jesus in the house of Lazarus is sitting on the window
ledge, the moonlight stealing through the palm trees. Mary crouching
at his feet is drinking in his words, Martha, standing, is busy with
household cares. Pictures through which peace flows like a limpid
stream, and which are but the transposition of every-day scenes,
almost like those which I might have seen at our house and in the
country,--pictures of obscure lives, through which God passes.
One day when I declined to be present at the return of the prodigal
son to the paternal home, my mother, who loved that parable, asked the
reason of this disdain.
“Why don’t you look at this page?”
I made a gesture of disgust. It seemed commonplace to me--a father
forgiving his son--what was there surprising in that?
Athalia wringing her hands in despair beside the temple wall, while the
soldiers come running to kill her, recalled to my mother her convent.
She had herself taken part in the chorus of that tragedy which Racine
had written for the young pupils of Saint-Cyr, and which by a happy
tradition all girls’ boarding schools used to present in those days;
the Unes came back to her with a rush:
The universe is full of His magnificence:
Let us praise God and worship Him forever.
She would recite them with that emotion which religious things always
awakened in her, and her tones touched me more directly than that
sophisticated art which was beyond my powers.
Public-domain text, read in full here on John Shaqi.
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