When one is a child one doesn’t know what is beautiful. The beautiful
thing is to have the heart satisfied. What a sudden uplift my entire
æsthetic nature received from them! The unframed outlines of nature
had never impressed me; now that, copied, transferred to a square of
paper, I could look at them, I saw them, not only on the motionless
page, but everywhere, and all alive. The house with its great stones,
the walled-in garden--I had often used to touch them, understand them,
possess them;--and besides, they belonged to me. But beyond our house
the universe began, and its limitlessness had repelled me, so that I
could never think of it as having definite outlines. And here those
outlines were, before my eyes; through the open Bible I discovered them.
At thirty years’ distance I find again in my memory, with no need of
verification, the pictures of Gustave Doré. The pages turn of their
own accord and my beloved phantoms reappear. Here are those visions of
dread, Leviathan upheaving the sea, the destroying Angel exterminating
Sennacherib’s army, the long train of Nicannor’s elephants between
which Judas Maccabeus has to pass, and Death in the Apocalypse on his
pale horse. They were not my favourites, and in the evening I used
even to avoid them. My favourites were those quiet, reposeful, almost
shadowy Oriental landscapes, where the summer sunlight seemed to draw
up mists, where strange plants grew most unlike our oaks and chestnuts,
where in the background were shadows of oxen and camels, far away like
boats upon the lake in time of fog.
Public-domain text, read in full here on John Shaqi.
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