The House: An Episode in the Lives of Reuben Baker, Astronomer, and of His Wife, AliceField, Eugene
General
The House: An Episode in the Lives of Reuben Baker, Astronomer, and of His Wife, Alice
Field, Eugene
Home ownership -- Fiction; Humorous stories
You can depend upon it that I lost no time in apprising Alice and Adah
and our neighbors of Mr. Rock's munificent proposition, and I hardly
need assure you that by all Mr. Rock's generosity was warmly applauded.
The incident gave rise to a new phase in the sequence of events, for
immediately a discussion arose as to the color which we ought to paint
our new house, and this discussion continued with increasing vigor for
several days. Adah was characteristically earnest in her advocacy of a
soft cream yellow, that being the shade adopted by Maria when she
repainted her St. Joe domicile--a soft cream yellow, with the blinds in
a delicate brown, that was Adah's choice as inspired by her memory of
Maria's habitation. The Baylors suggested a poetic grayish tint, which
they insisted would look specially pretty through the foliage of the
fine old trees in the front yard. The Tiltmans preferred a light
brown, and the Rushes a bright yellow. As for Mrs. Denslow, she raised
her voice in favor of "white, with green blinds," for, as she wisely
argued, it was not possible to find a more appropriate combination for
a house that had been a farmhouse and that would retain (even after we
had rehabilitated it) the most salient characteristics of a farmhouse.
Alice and I agreed with Mrs. Denslow (as we generally do), and our
determination was confirmed when we subsequently learned, upon inquiry
of Mr. Krome, the painter, that white paint was as expensive a paint as
could be selected. It was our desire, in our choice of paint, to do
nothing likely to lessen or to detract from the lustre of the
princeliness of Mr. Rock's liberality. Mr. Rock had set no limitations
to his munificence; far be it from us to do that which might be
construed wrongfully as inappreciation of that munificence. It was the
part of friendship to premise that Mr. Rock's intentions were large,
and then it behooved us to see that those intentions were carried out
upon a scale of equal scope. We decided, therefore, that the paint
should be white, and that it should be carriage paint.
Uncle Si had advised us to have plenty of light and air admitted to
"the addition" by means of numerous windows. According to the rude
plan he submitted for Alice's approval, "the addition" when completed
would have looked like a collection of windows of every size and shape.
This was before Mr. Rock offered to paint the house. After Mr. Rock's
proposal was made to and accepted by us it occurred to us that it would
result in a considerable saving to us if we were to limit the number of
windows and devote the space (thus economized) to clapboarding. This
would involve a larger expense upon Mr. Rock's part, but it could not
be denied that Mr. Rock could better afford paying for paint than we
could afford paying for window frames and glass.
Public-domain text, read in full here on John Shaqi.
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