The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
While the hoarse company were having their glasses justifiably refilled,
Margery Byrne came quickly up to her husband, and gave him the look
which means to a husband, "I want to go home now." She was tired and she
looked tired; and she was going to have a baby. Stephen said, "Right you
are, my dear--just a minute." He was talking now to the Reverend Peter
and Muriel Tarrant, who was prettily flushed and a little excited. He
was arguing with the Reverend Peter about the poetry of John Donne. He,
too, was excited and pleased and reluctant to go home. But he knew that
Margery ought to go home. And of such stuff are the real temptations of
man.
He looked an apology and an appeal at his wife and said, "One minute, my
dear.... Would you mind?" knowing well that she minded. Mrs. Byrne said
that of course she did not mind, and went back to her seat by the
dramatic critic, yawning furtively.
So Stephen stood against the piano and defended John Donne, that strange
Elizabethan mixture of piety and paganism and poetry and nastiness. He
had forgotten Mr. Asquith now; he had forgotten the Choir and Muriel
Tarrant, and he was absorbed in the serious pronouncement of an artistic
belief. The Reverend Peter said that he was no prig, but some of John
Donne was too much for him. He could not believe in the essential
greatness of a grown man who could write such stuff. Stephen began to
quote a line or two from memory; then he reached up for an old brown
volume on one of Whittaker's shelves and read from it in a low voice
that only the clergyman could hear. "This is what I make of him," he
said. And he began to talk. He talked with the real eloquence of a
master of words profoundly moved, with growing earnestness and vigour.
He spoke of the eternal contradictions of human personality, of the
amazing mixtures which make up men; how true was the saying of Samuel
Butler that everything a man does is in a measure a picture of himself,
yet how true it was that one could not confidently judge what a man was
like from what he wrote. He told the Reverend Peter that he was narrow
in his estimate--unjust. One must strike a balance. Many of the company
had gathered about him now, and were listening; Stephen saw this at
last, and finished. Then the Reverend Peter laid a large hand
affectionately on his shoulder and said, "You're a wonderful man,
Stephen. I surrender. I dare say I've wronged the fellow.... I'll read
him again.... You poets are certainly an odd mixture." And that was the
thought of all those who had heard the singing and listened to the talk.
Stephen turned from him with a curious smile and saw suddenly the
reproachful figure of his wife.
He said, "Come along, my dear--I'm so sorry! Are you coming, John?"
Egerton looked across at Muriel Tarrant and her mother. They were
entangled with Mrs. Ambrose and showed no signs of escaping. He said,
"No--I shall stay a little, I think."
Public-domain text, read in full here on John Shaqi.
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