The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
High tide was a great moment at Hammerton Chase. It had a powerful
influence on the minds of The Chase. There was a tremendous feeling of
fulfilment, of achievement, about the river when the flood was still
sweeping up, wandering on to the road on one bank and almost topping the
towpath on the other, making Hammerton Reach a broad and dignified
affair. The time went quickly when the tide was high. There were long
hours when the tide was low, when the river dwindled to a mean and
dejected stream, creeping narrowly along between gloomy stretches of mud
and brickbats and broken crockery, where the boats lay protesting and
derelict in uncomfortable attitudes. There was a sense of disappointment
then, of stagnation and failure. Those who lived by the river and loved
and studied it were keenly susceptible to the tides.
And this tide seemed particularly copious and good. For one thing, he
had dined well. He had drunk at Brierley's a satisfying quantity of some
admirable Château Yquem, followed by some quite excellent old brandy. He
was by no means drunk; but he was conscious of a glow, a warm
contentment. Life seemed amicable and prosperous and assured. After all,
he was a fortunate young fellow, Stephen Byrne. The life of a successful
poet was undoubtedly a good life.
And he was happily married. His wife was pretty and loving and almost
perfect. Very soon she was to have another baby; and it would be a boy,
of course. The first was a dear, delightful, incomparable creature, but
she was a girl. The next would be a boy.
And he loved his home. He loved Hammersmith and the faithful
companionable river, the barges and the jolly tugs and his little garden
and his motor-boat and his dinghy and the sun-steeped window-seat in the
corner of his study, the white conservatory he had whitewashed with his
wife, and the exuberant creeper they had trained together.
Stephen's house was The House by the River, which stood with one other
in an isolated communion between Hammerton Terrace and the Island. The
bank swung out widely above the Terrace, so that Stephen's house and its
neighbour were on a miniature promontory, commanding unobstructed the
ample curve of the river to Hammersmith Bridge, a mile away. The houses
were old and ill-appointed within, with rattling sashes and loose doors,
but dignified and beautiful without, modest old brick draped generously
with green. And they were full of tall windows drinking in the sun and
looking away to the south towards the hills about Putney and Roehampton,
or westwards to the remote green of Richmond Hill. They were rich with
sunshine and an air that was not London's.
Stephen looked up at his high old house and was proud of it. He was
proud of the thick ivy and creeper all over it and the green untidy
garden below it, and the pretty view of the dining-room, where the light
was on, a lonely island of gold in the dusk, seen delightfully through
matted ropes of creeper.
Public-domain text, read in full here on John Shaqi.
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