The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
There was a light in the bathroom, too--Emily Gaunt, the housemaid, no
doubt, having a bath. As he looked up he heard the sound of water
tumbling down the pipes outside the house, and deduced absently that
Emily had pulled up the waste-plug.
Stephen looked over his neighbour's wall into his neighbour's garden.
His neighbour was John Egerton and a good friend of his, probably the
best friend he had. But John Egerton was not in his garden. Stephen was
sorry, for he felt that inclination towards human society which normally
accompanies the warm afterglow of good wine. Mrs. Byrne was dining with
her mother, and would not be back for an hour or so. Stephen regretted
that he had come back so early. He could not write. He did not want to
read. He felt full, but not capable of poetry. He wanted company. The
glow was still upon him, but it was growing chilly on the wall. It was
time to go in. He knocked out his pipe. The dottle fell with a fizzle in
the water.
He walked in slowly to the dining-room and poured out a glass of port.
Failing company there must be more glow. The port was good and admirably
productive of glow. Stephen stood by the old oak sideboard, luxuriously
reviving the sensations of glow. The dining-room, it seemed to him, was
extraordinarily beautiful; the sea-picture by Quint an extraordinarily
adequate picture of the sea; the port extraordinarily comforting and
velvety; the whole of life extraordinarily well arranged.
When he had finished the port he heard a timid creaking on the
staircase. He went into the tiny hall, walking with a self-conscious
equilibrium. Emily Gaunt was coming down the stairs to her bedroom,
fresh from her bath. Emily Gaunt was a pleasant person,
well-proportioned, and, for a housemaid, unusually fair to see. Her
eyes, like her hair, were a very dark brown, and there was a certain
refinement in her features. Her hair was hanging about her shoulders and
her face--usually pale--was rosy from her bath. In the absence of a
dressing-gown or kimono, she wore an old coat of Cook's over her
night-gown. Cook was skinny and Emily was plump, so that Cook's coat was
far from meeting where it ought to have met. There was a great deal of
Emily's neck and Emily's night-gown to be seen.
Stephen, so far, had taken little notice of Emily, except that one
evening he had smiled at her for some reason and she had smiled at him;
but at this moment, in the special circumstances of this lovely evening,
she seemed in his eyes surprisingly desirable. In the half-light from
the dining-room it was easy to forget that she was a servant. She was
merely a warm young female creature, plump and comely, and scantily
clad.
And there was no one else in the house.
"Good evening, Emily," said Stephen, looking up the stairs.
"Good evening, Mr. Byrne," said Emily, halting on the stairs. She was a
little surprised to see him. Cook was having her "evening out" and Emily
had thought herself alone in the house.
Public-domain text, read in full here on John Shaqi.
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