The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
Now, Emily Gaunt was a well-behaved young woman. She was accustomed to
being looked at by her male employers, and she was accustomed to keeping
them at a proper distance. For so she had been brought up. But when she
was not looked at she was usually sensible of a certain disappointment.
Stephen Byrne had not looked at her enough, and she was undeniably
disappointed. She liked the look of him; she liked his voice when he
said, "Where are my boots, please, Emily?" And she did not get on well
with Mrs. Byrne. Moreover, she had had a warm bath and was conscious
also of a kind of glow.
So that when she had said, "Good evening, Mr. Byrne," she continued at
once her demure and unaffected descent. Cook would have turned and fled
up the stairs, panting with modesty. So would many another domestic
young person.
But Emily descended. If she had waited, or turned back up the stairs, or
faltered, "Oh, _sir_," and scurried like a young hind away from him,
there is no doubt that Stephen would have made himself scarce--would
have left the coast clear.
But she descended. When she came to the bottom of the stairs where
Stephen was standing, there was hardly space for her to pass. Stephen
made no move. He said fatuously, "Had a nice bath, Emily?" and he put
one arm around her as she passed, lightly, almost timidly, just touching
the back of Cook's coat.
Emily said, "Yes, thank you, sir," and looked at him. Only a glance,
quick and fugitive as an electric spark--but what a glance! Yet she made
no attempt to stop; she did not giggle or stammer or protest; she passed
on. In another moment she would have gone.
But Stephen had touched her. He had received and registered that naughty
and electrical glance. He was inflamed.
He did a thing the like of which he had never done before. He closed his
right arm about the girl and firmly embraced her. And he kissed her very
suddenly and hotly.
Emily screamed.
Stephen pulled her closer and kissed her again. And again Emily
screamed. It was all very unfortunate. For it may be that if he had been
less precipitate he could have been equally amorous without encountering
anything more than a purely formal opposition. Emily Gaunt was prepared
to be kissed, but not suddenly, not violently. It should have been
properly led up to--a little talk, a compliment or two, some blushes,
and a delicate embrace. That was the proper routine in Emily's set, or
in anybody else's set for that matter. But this sudden, desperate,
hot-breathed entanglement was quite another thing. It was frightening.
And who can blame Emily Gaunt for that high-pitched rasping cry?
Public-domain text, read in full here on John Shaqi.
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