The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
the dusty covers of old sevenpennies--price two shillings. None of these
men bought anything, only stood silent and gazed, as if in wonder at
such a multitude of unbuyable books. On the cover of one of them--_Three
Years with the Hapsburgs: the Thrilling Chronicle of an English
Governess_--the gaudy picture of a young woman caught his eye. It
reminded him somehow of Emily Gaunt, and he turned away. He did not want
to be reminded of Emily.
The Ealing train came in, and John was swept in with a tight mass of
people through the middle doors of a smoking carriage. The atmosphere
was a suffocating mixture of hot breath and evil tobacco-smoke. The
carriage was packed. Men and women stood jammed together like troops in
a communication-trench. Here and there a clerk stood up with a sheepish
mumble and a sallow woman sank thankfully into his seat. John stared
with increasing resentment at the rows of men who did not get up--tired
labourers in corduroy trousers who sat on in unmoved contentment, or
gross men with cigars who screened themselves behind evening papers,
pretending they did not notice the standing women.
The train stopped, and there was a fierce squeezing and struggling at
the doors. A man behind John remembered suddenly that he wanted to get
out, and began with much heaving and imprecation to hew a passage,
treading violently on John's ankle. But by now there were more people
surging inwards, clinging precariously to the fringe of the mob. The
train rushed on, and the man was left within it, cursing feebly. John
felt glad, maliciously, ridiculously glad. But when he looked again at
the sedentary gross men, the placid labourers, and at the short, pale
women swaying in the centre he became righteously furious with the evil
manners of the men. He felt that he would like to address them, curse
them about it--that fat one with the insolent leer and the cap all
cock-eye, especially; he would say loudly at the next station, "Why
don't you give one of these ladies your seat?" Then the man would _have_
to get up, would stand shamed before the world, while some grateful
female--that nurse there--took his seat. Perhaps all the others would
follow.
Or perhaps it would happen quite differently. The man would not hear, or
pretend not to hear; and he, John, would have to repeat his remark,
losing greatly in dramatic force. And every one would stare at him, as
if he were a madman! Or the man would surrender his seat with a sweet
smile and an apology, "Very sorry, I didn't see"; and then the fools of
women would refuse to take the seat. They would all say they were
getting out at the next station; they would all simper and deprecate and
behave like lunatics. The man would hover with a self-righteous,
ingratiating smirk and sit down again. And John Egerton would look a
fool. No--it couldn't be done. What cowards men were!
Public-domain text, read in full here on John Shaqi.
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