The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
And here Stephen stopped rowing, and tied his boat to a willow branch;
and Muriel watched him, saying nothing. Then he sat down beside her in
the wide stern-seat. She turned her head and looked at him, very pale
against the trees. And he put his arm about her and kissed her.
It was very hot in that quiet place, and the night lay over them like a
velvet covering, heavy and sensuous and still. In each of them there was
the sense that this had been inevitable. They had known that it must
happen in that breathless moment at the garden wall. And this was
somehow comforting to the conscience.
So they sat there for a little longer, clinging tremorously in an
ecstasy of passion. A tug thrashed by; there was a sudden tumult of
splashing in the willows and in the reeds and the boat rocked violently
against the branches. Stephen fended her off.
Then they sat whispering and looking at the stars. It was a clear and
wonderful sky and no star was missing. Stephen told her the names of
stars and the stories about them. And she murmured dreamily that she saw
and understood; but she saw nothing and understood nothing but the
marvellous completeness of her conquest of this man, and the frightening
completeness of his conquest of her. She had never meant that things
should go so far.
And he, as he looked at the stars and the freckled gleam upon the waters
and the hot white face of the girl at his side, thought also, "I did not
mean it to go so far. But it is romance, this--it is poetry, and rich
experience--so it is justified." And what he meant was, "It is copy."
The tide turned at last, and they drifted softly and luxuriously down to
Hammerton Reach, and stole at midnight under the hushed gardens of The
Chase to the Tarrants' wall. And there again they kissed upon the steps.
He whispered hotly, "Tomorrow!" and she whispered, "Yes--if I can--" and
was gone.
In the morning there came a letter from Margery, beseeching him to come
to her as soon as he could--a pathetic, gentle little letter. She drew a
picture of the peace and beauty of the place, and ended acutely by
emphasizing its possibilities as an inspiration to poetry.
"Do come down, my darling, as soon as you can. I do want you to be here
with me for a bit. I know you want to finish the poem, but this is such
a heavenly place, I'm sure it would help you to finish it; I sometimes
feel like writing poetry myself here! Joan says that Daddy _must_ come
quick!"
Stephen wrote back, with a bewildered wonder at himself, that he had
nearly finished, but could not get away for at least a week. That day he
wrote a love-song--dedicated "To M." He had never written anything of
the kind before, and it excited him as nothing in "Chivalry" had ever
excited him.
Public-domain text, read in full here on John Shaqi.
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