The House on the Moor, v. 2/3Oliphant, Mrs. (Margaret)
General
The House on the Moor, v. 2/3
Oliphant, Mrs. (Margaret)
Fiction
Emotions somewhat like those of Horace, yet as different as their
natures, were roused in the mind of young Roger Musgrave by a
communication very similar. To him, afraid of startling the sensitive
young man, the Colonel wrote with the greatest delicacy and tenderness.
He told him that he had applied to Sir John Armitage for the aid of his
influence, and had already put all his own in motion; that he had very
little doubt speedily to see his young friend bear Her Majesty's
commission, and that all he had to beg of him was a little patience and
confidence in his very sincere friend. Roger did not pause for a moment
to suggest to himself that Colonel Sutherland was exercising a natural
taste for patronage and affairs in thus befriending him. The young man
started up in the solitary library of the Grange, where he sat that day
for the last time, his cheeks crimson with excitement, and his eyes full
of tears. He was confounded, troubled, touched to the heart by the
friendship shown to him; and yet, as he thought over it alone in the
silent house, felt it overmuch for him, and could scarcely bear it.
Should he take advantage of this wonderful goodness, the busy devil
whispered in his ear? Was it right to impose his misfortunes--which,
after all, were not so bad as many others in the world--as a claim upon
the tender compassion of the Colonel? Was it generous to accept services
which, perhaps, another had more need of? He could not remain quiet, and
resist this temptation; he rushed out, like Horace Scarsdale, into the
bare woods, where the wind was roaring, and through the dark plantation
of fir-trees, with all its world of slender columns, and the dark flat
canopy of branches overhead, which resounded to the level sweep of the
gale; and where, by-and-bye, the things around took his practical and
simple eye, and won his heart out of the tumult of thoughts which he was
not constituted to withstand, and which were very likely, in his
unwonted solitude, to drive him into some irresistible but
unpremeditated rashness, and make him break his promise before he was
aware. Then he returned home, fatigued and exhausted, lost himself
willingly, and of purpose, in an old romance, borrowed from the village
library, and so kept out of the dangerous power of thought, till it was
time to sleep. After that his imagination played strange freaks with
Roger. We cannot tell anybody what his dreams were about; for though
they seemed to himself wonderfully significant and vivid, he was
mortified to find that he could not recall them in the morning so
distinctly as he hoped. For he was not a poetical hero, but only a young
man of very vigorous health and simple intelligence, whom grief and
downfall, and melancholy change of circumstances, had influenced deeply,
without making any permanent derangement, either of his mind or his
digestion.
Public-domain text, read in full here on John Shaqi.
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