American drama -- 20th century; American essays -- 20th century
LORETTA. [Slowly.] I can't do that. We are old friends. We . . . were
children together. [To the MAID.] Send him in. [To NED, who has
started to go out toward right.] Don't go, Ned.
[MAID makes exit to left.]
NED. [Hesitating a moment.] I'll come back.
[NED makes exit to right.]
[LORETTA, left alone on stage, shows perturbation and dismay.]
[BILLY enters from left. Stands in doorway a moment. His shoes are
dusty. He looks overheated. His eyes and face brighten at sight of
LORETTA.]
BILLY. [Stepping forward, ardently.] Loretta!
LORETTA. [Not exactly enthusiastic in her reception, going slowly to
meet him.] You never said you were coming.
[BILLY shows that he expects to kiss her, but she merely shakes his
hand.]
BILLY. [Looking down at his very dusty shoes.] I walked from the
station.
LORETTA. If you had let me know, the carriage would have been sent for
you.
BILLY. [With expression of shrewdness.] If I had let you know, you
wouldn't have let me come.
[BILLY looks around stage cautiously, then tries to kiss her.]
LORETTA. [Refusing to be kissed. ] Won't you sit down?
BILLY. [Coaxingly.] Go on, just one. [LORETTA shakes head and holds
him off.] Why not? We're engaged.
LORETTA. [With decision. ] We're not. You know we're not. You know I
broke it off the day before I came away. And . . . and . . . you'd
better sit down.
[BILLY sits down on edge of chair. LORETTA seats herself by table.
Billy, without rising, jerks his chair forward till they are facing each
other, his knees touching hers. He yearns toward her. She moves back
her chair slightly.]
BILLY. [With supreme confidence.] That's what I came to see you for--to
get engaged over again.
[BILLY hudges chair forward and tries to take her hand.]
[LORETTA hudges her chair back.]
BILLY. [Drawing out large silver watch and looking at it.] Now look
here, Loretta, I haven't any time to lose. I've got to leave for that
train in ten minutes. And I want you to set the day.
LORETTA. But we're not engaged, Billy. So there can't be any setting of
the day.
BILLY. [With confidence.] But we're going to be. [Suddenly breaking
out.] Oh, Loretta, if you only knew how I've suffered. That first night
I didn't sleep a wink. I haven't slept much ever since. [Hudges chair
forward.] I walk the floor all night. [Solemnly.] Loretta, I don't eat
enough to keep a canary bird alive. Loretta . . . [Hudges chair
forward.]
LORETTA. [Hudging her chair back maternally.] Billy, what you need is a
tonic. Have you seen Doctor Haskins?
BILLY. [Looking at watch and evincing signs of haste.] Loretta, when a
girl kisses a man, it means she is going to marry him.
LORETTA. I know it, Billy. But . . . [She glances toward letters on
table.] Captain Kitt doesn't want me to marry you. He says . . . [She
takes letter and begins to open it.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account