American drama -- 20th century; American essays -- 20th century
BILLY. Never mind what Captain Kitt says. He wants you to stay and be
company for your sister. He doesn't want you to marry me because he
knows she wants to keep you.
LORETTA. Daisy doesn't want to keep me. She wants nothing but my own
happiness. She says--[She takes second letter from table and begins to
open it.]
BILLY. Never mind what Daisy says--
LORETTA. [Taking third letter from table and beginning to open it.] And
Martha says--
BILLY. [Angrily.] Darn Martha and the whole boiling of them!
LORETTA. [Reprovingly.] Oh, Billy!
BILLY. [Defensively.] Darn isn't swearing, and you know it isn't.
[There is an awkward pause. Billy has lost the thread of the
conversation and has vacant expression.]
BILLY. [Suddenly recollecting.] Never mind Captain Kitt, and Daisy, and
Martha, and what they want. The question is, what do you want?
LORETTA. [Appealingly.] Oh, Billy, I'm so unhappy.
BILLY. [Ignoring the appeal and pressing home the point.] The thing is,
do you want to marry me? [He looks at his watch.] Just answer that.
LORETTA. Aren't you afraid you'll miss that train?
BILLY. Darn the train!
LORETTA. [Reprovingly.] Oh, Billy!
BILLY. [Most irascibly.] Darn isn't swearing. [Plaintively.] That's
the way you always put me off. I didn't come all the way here for a
train. I came for you. Now just answer me one thing. Do you want to
marry me?
LORETTA. [Firmly.] No, I don't want to marry you.
BILLY. [With assurance.] But you've got to, just the same.
LORETTA. [With defiance.] Got to?
BILLY. [With unshaken assurance.] That's what I said--got to. And I'll
see that you do.
LORETTA. [Blazing with anger.] I am no longer a child. You can't bully
me, Billy Marsh!
BILLY. [Coolly.] I'm not trying to bully you. I'm trying to save your
reputation.
LORETTA. [Faintly.] Reputation?
BILLY. [Nodding.] Yes, reputation. [He pauses for a moment, then
speaks very solemnly.] Loretta, when a woman kisses a man, she's got to
marry him.
LORETTA. [Appalled, faintly.] Got to?
BILLY. [Dogmatically.] It is the custom.
LORETTA. [Brokenly.] And when . . . a . . . a woman kisses a man and
doesn't . . . marry him . . . ?
BILLY. Then there is a scandal. That's where all the scandals you see
in the papers come from.
[BILLY looks at watch.]
[LORETTA in silent despair.]
LORETTA. [In abasement.] You are a good man, Billy. [Billy shows that
he believes it.] And I am a very wicked woman.
BILLY. No, you're not, Loretta. You just didn't know.
LORETTA. [With a gleam of hope.] But you kissed me first.
BILLY. It doesn't matter. You let me kiss you.
LORETTA. [Hope dying down.] But not at first.
BILLY. But you did afterward and that's what counts. You let me you in
the grape-arbour. You let me--
LORETTA. [With anguish] Don't! Don't!
Public-domain text, read in full here on John Shaqi.
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