American drama -- 20th century; American essays -- 20th century
LORETTA. [Pouting demurely.] Don't be angry with me, Ned. [He gathers
her into his arms and kisses her. She partially frees herself, gasping.]
I wish it were the custom, because now I'd have to marry you, Ned,
wouldn't I?
[NED and LORETTA kiss a second time and profoundly.]
[JACK HEMINGWAY chuckles.]
[NED and LORETTA, startled, but still in each other's arms, look around.
NED looks sillily at ALICE HEMINGWAY. LORETTA looks at JACK HEMINGWAY.]
LORETTA. I don't care.
CURTAIN
THE BIRTH MARK
SKETCH BY JACK LONDON written for Robert and Julia Fitzsimmons
SCENE--One of the club rooms of the West Bay Athletic Club. Near centre
front is a large table covered with newspapers and magazines. At left a
punching-bag apparatus. At right, against wall, a desk, on which rests a
desk-telephone. Door at rear toward left. On walls are framed pictures
of pugilists, conspicuous among which is one of Robert Fitzsimmons.
Appropriate furnishings, etc., such as foils, clubs, dumb-bells and
trophies.
[Enter MAUD SYLVESTER.]
[She is dressed as a man, in evening clothes, preferably a Tuxedo. In
her hand is a card, and under her arm a paper-wrapped parcel. She peeps
about curiously and advances to table. She is timorous and excited,
elated and at the same time frightened. Her eyes are dancing with
excitement.]
MAUD. [Pausing by table.] Not a soul saw me. I wonder where everybody
is. And that big brother of mine said I could not get in. [She reads
back of card.] "Here is my card, Maudie. If you can use it, go ahead.
But you will never get inside the door. I consider my bet as good as
won." [Looking up, triumphantly.] You do, do you? Oh, if you could see
your little sister now. Here she is, inside. [Pauses, and looks about.]
So this is the West Bay Athletic Club. No women allowed. Well, here I
am, if I don't look like one. [Stretches out one leg and then the other,
and looks at them. Leaving card and parcel on table, she struts around
like a man, looks at pictures of pugilists on walls, reading aloud their
names and making appropriate remarks. But she stops before the portrait
of Fitzsimmons and reads aloud.] "Robert Fitzsimmons, the greatest
warrior of them all." [Clasps hands, and looking up at portrait
murmurs.] Oh, you dear!
Public-domain text, read in full here on John Shaqi.
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