The Human Slaughter-House: Scenes from the War that is Sure to ComeLamszus, Wilhelm
History
The Human Slaughter-House: Scenes from the War that is Sure to Come
Lamszus, Wilhelm
Imaginary wars and battles; War
"Then some one else'll turn up who'll look after 'em!"
"What others?" comes the answer in a deep growl. "They'll have their
hands full looking after theirselves. By the time I get home they'll
have kicked the bucket, the whole lot of 'em. The best thing'd be never
to come home no more."
Then the big drum breaks into his com-plaint. A dull reverberating
throb. It is to usher in the regimental band, and orders the drums and
the fifes to desist.
And then again, deep and monitory.
Boom!
The pipers begin to play the regimental march.
And now--the regimental band strikes up. You may kick against it as you
will. The martial strain infects the excited streets, trumpets back from
a wall of houses, stirs the blood so joyously, and exorcises the
spectres of the night from your brain. Your muscles stiffen, you throw
your head up, and your legs strut along proudly to keep step and time.
And the rhythm of step and time infects the whole crowd. The effect on
the crowd is electric. They are waving their hands from the pavements;
they are waving their hands from the windows; they are waving their
hands from the balconies. The air is white with pocket-handkerchiefs.
And now some one in front begins to sing. They are shouting and singing
against one another. The tune gains strength until it has fought its way
through, and swirls above our heads like the wind before a storm.
The National Anthem!
The whole street is taking it up.
The regimental band has capitulated to the song that carries every one
away with it. And then it solemnly joins in.
The crowds bare their heads. We can see nothing except glowing faces,
figures marching under a spell, a nation afire and kindled to
enthusiasm.
We march through the town singing ecstatically until we reach the
station, until we at length come to a standstill on the platform
reserved for us. The train is already standing there.
The bridge, beyond, leading over the rails is black with people shouting
and waving down to us.
We are already told off.
Eight men to the compartment.
"Tara, tata!" The bugle calls us to entrain, and the doors are thrown
open. We have scarcely stacked our packs and rifles, and donned our caps
when the engine starts, and amid thunderous cheers we slide out of the
station, and leave behind us a distant, fading roar, a dying hum--the
town shouting her last farewell to her soldiers.
We make ourselves comfortable. We are sitting and smoking our pipes.
Three, unable to change all at once, have already started a game of
cards. Two more are sitting in the corner and putting their heads
together. The yokel is by himself, and shows no interest in anything.
I am looking out of the window, watching the landscape fly past my eyes.
The rejoicings are still hot in my blood. I have lived to see a great
day. Wherever the bulk of the people rises above the dust of every day
it becomes irresistible, and carries away with it even the man who would
fain stand aloof, and keep his head cool.
Public-domain text, read in full here on John Shaqi.
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