The Human Slaughter-House: Scenes from the War that is Sure to ComeLamszus, Wilhelm
History
The Human Slaughter-House: Scenes from the War that is Sure to Come
Lamszus, Wilhelm
Imaginary wars and battles; War
And we hurry past forests and rivers, past meadows whose extent I cannot
see, past hills that fade away into the blue of distance, past an
immeasurably rich country that stands golden in its ears of corn.
And over it all shines the sun of one's native land.
And I would fain spread out my arms.
Yes, our native land is fair and great, and worthy that a man should
shed his blood for it.
CHAPTER VI
LIKE THE PROMISE OF MAY
We have turned off the main road, and have to march over a field of
stubble. A battle was fought here yesterday, for the field is sown with
dead bodies. They have picked up the wounded. But as yet they have had
no time to bury those who died where they fell.
The first dead man we saw struck us dumb. At first we hardly realized
what it meant--this lifeless new uniform spread out there--from the way
he was lying you could hardly believe he was really dead. It gave you a
prickly feeling on the tongue. It seemed as if you were on manoeuvres,
and the fellow lying there in a ditch had got a touch of the sun. A
rough soldierly jest, a cheery shout was all that was wanted to raise
him to his ramshackle legs.
"Hullo, you! Got a head? Keep a stiff neck."
But the words froze in our throat, for an icy breath was wafted to us
from the dead man, and a chill hand clutched at our terror-stricken
hearts.
So that was Death! We knew all about it now. That is what it looks like,
and we turned our heads back and shuddered.
But then there came more and more of them.
And by this time we have become accustomed to them.
Strange! I gaze at these silent faces that seem to laugh at us, at these
wounds that seem to mouth at us fantastically, as if they had I nothing
to do with me. It strikes me all as so remote, so indifferent. As if all
these dead bodies were lying in glass cases, as if I were in an
anatomical museum, and were staring with dispassionately curious eyes at
some scientific exhibits.
Sometimes no wounds at all are visible. The bullets have passed through
the uniforms somewhere, and have gone clean through the softer parts of
the bodies.
They have grown rigid in death in grotesque postures as if Death had
been trying to pose figures here. There are certain schemes of Death
that are always recurring. Hands out-stretched--fingers clawing the
grass--fallen forward on to the face--that fellow over there lying on
his back is holding his hand pressed tight against his abdomen, as if he
were trying to staunch the wound.
In the country I was once watching them killing sheep. There a beast
lay, and was waiting for the butcher, and as the short knife cut through
its windpipe and jugular vein, and the blood leaped hot from its neck, I
could see nothing but the big eye, how it enlarged in its head to a
fearsome stare, until at last it turned to a dull glass.
Public-domain text, read in full here on John Shaqi.
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