The Human Slaughter-House: Scenes from the War that is Sure to ComeLamszus, Wilhelm
History
The Human Slaughter-House: Scenes from the War that is Sure to Come
Lamszus, Wilhelm
Imaginary wars and battles; War
All the bodies lying about here, as if bleating up to heaven, have got
these glazed eyes, they are lying as if they were outstretched in the
abattoir. Well, to be hit and to fall down dead, there's nothing to make
a fuss about that! But to be shot through the chest, to be shot through
the belly, to burn for hours in the fever of your wounds, to cool your
mangled body in the wet grass, and to stare up into the pitiless blue
heavens because your accursed eyes go on refusing to glaze over yet----
I turn away from them. I force myself to look past these mocking,
grotesque _posés plastiques_ of Death.
And I am already spirited far away, and am sitting in my little study at
home. My coffee cup is standing snugly to my hand. My book-case is
beaming down on me. My well-loved books invite me, and in front of me my
book of books, "Faust," lies open. And so I read, and feel the wonderful
relaxation that comes after work stealing through my longing blood.
The door opens. A little girl, and a boy who has just learned the use of
his legs, put their noses in at the door.
"Daddy, may we?"
I nod consent. Then they spread out their little arms, and rush at me.
"Daddy!"
They are climbing on to my knees now, and I give them a ride--"this is
how we ride to war."
But they twine their soft arms round my neck until at length I put them
down on the floor: "Now go to Mummy--"
And now----
A new picture. How very plainly I see it. We have gone out of a Sunday
afternoon beyond the suburbs, gone out with bag and baggage. I see the
green fields bright and fair, and see the two kiddies bright and fair.
They are rolling about in the grass and chasing the butterflies, and
laughing up at me, and crowing with delight as they run after the ball I
have thrown down for them to play with. And the sky stretches above us
in its Sabbath blue, and so confidently as if it all could never come to
an end. And Dora smiles at me with quiet eyes.
Then I come back with a start--I feel my knapsack chafing my back--I
feel my rifle--I see the dead at my feet again--
My God! how can these things be? How can these two worlds be so terribly
close to each other?...
And we pass on through this first spring crop of dead bodies. No one
says a word. No one has a joke. How surreptitiously the others glance
aside when some corpse, all too grotesquely mangled, meets their eyes.
I wonder what is passing through their brains?
Working men, tradesmen, artisans, and agricultural laborers, that's what
they are for the most part. They themselves have as yet never smelled
powder, nor ever been under fire. That, I suppose, is the reason why
they have suddenly become so dumb.
Then a voice beside me says something abruptly, and it seems as if the
voice rebounded hollow from the silence.
"The stuff is laying about here same as muck."
Public-domain text, read in full here on John Shaqi.
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