The Humour of America: Selected, with an Introduction and Index of American Humorists
General
The Humour of America: Selected, with an Introduction and Index of American Humorists
American wit and humor
ANOTHER night of alternate tranquillity and turmoil. But morning came
by-and-by. It was another glad awakening to fresh breezes, vast expanses
of level greensward, bright sunlight, an impressive solitude utterly
without visible human beings or human habitations, and an atmosphere of
such amazing magnifying properties that trees that seemed close at hand
were more than three miles away. We resumed undress uniform, climbed
a-top of the flying coach, dangled our legs over the side, shouted
occasionally at our frantic mules, merely to see them lay their ears
back and scamper faster, tied our hats on to keep our hair from blowing
away, and levelled an outlook over the world-wide carpet about us for
things new and strange to gaze at. Even at this day it thrills me
through and through to think of the life, the gladness and the wild
sense of freedom, that used to make the blood dance in my veins on those
fine overland mornings!
Along about an hour after breakfast we saw the first prairie-dog
villages, the first antelope, and the first wolf. If I remember rightly,
this latter was the regular _cayote_ (pronounced ky-_o_-te) of the
farther deserts. And if it _was_, he was not a pretty creature or
respectable either, for I got well acquainted with his race afterward,
and can speak with confidence. The cayote is a long, slim, sick- and
sorry-looking skeleton, with a grey wolf-skin stretched over it, a
tolerably bushy tail that for ever sags down with a despairing
expression of forsakenness and misery, a furtive and evil eye, and a
long, sharp face, with slightly lifted lip and exposed teeth. He has a
general slinking expression all over. The cayote is a living, breathing
allegory of want. He is _always_ hungry. He is always poor, out of luck,
and friendless. The meanest creatures despise him, and even the fleas
would desert him for a velocipede. He is so spiritless and cowardly that
even while his exposed teeth are pretending a threat, the rest of his
face is apologising for it. And he is _so_ homely!—so scrawny, and
ribby, and coarse-haired, and pitiful. When he sees you he lifts his lip
and lets a flash of his teeth out, and then turns a little out of the
course he was pursuing, depresses his head a bit, and strikes a long,
soft-footed trot through the sage-brush, glancing over his shoulder at
you, from time to time, till he is about out of easy pistol range, and
then he stops and takes a deliberate survey of you; he will trot fifty
yards and stop again—another fifty and stop again; and finally the grey
of his gliding body blends with the grey of the sagebrush, and he
disappears. All this is when you make no demonstration against him; but
if you do, he develops a livelier interest in his journey, and instantly
electrifies his heels, and puts such a deal of real estate between
himself and your weapon that by the time you have raised the hammer you
see that you need a minié rifle, and by the time you have got him in
Public-domain text, read in full here on John Shaqi.
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