_Arìna._ Sit down, sit down, Alexièy Dmìtrievich; we’ve no wool to sell,
but we’re glad to see you; please sit down. (_All sit down; silence._)
_Yaìch._ It’s very strange weather to-day. Early in the morning it
looked quite like rain, but now it seems to have gone over.
_Agàfia._ Yes, indeed, this weather is quite extraordinary; sometimes
it’s bright, and then again it gets wet and rainy—it’s very
disagreeable.
_Zhev._ Ah, little mother! When our squadron was in Sicily it was
spring-time—with us it would be February—they have the new calendar, you
know—when we went out into the street it would be quite sunny, and then
it would begin to rain, and it would be just like real ordinary rain.
_Yaìch._ The most disagreeable thing is to sit alone in such weather.
It’s all very well for a married man—that’s quite another thing—but when
one lives alone it’s really——
_Zhev._ Oh! it’s more than any one can stand!
_Anoùch._ Yes, indeed, one may say——
_Koch._ Oh yes, it’s altogether unbearable—life’s not worth having.
Heaven defend anybody from such a position!
_Yaìch._ Now supposing, madam, that you were asked to choose who should
be the object of your affections. Allow me to ask, what would be your
taste? You will excuse my directness. What ... occupation ... do you
consider ... most ... worthy of respect in a husband?
_Zhev._ Would you choose, madam, a husband acquainted with the storms of
the ocean?
_Koch._ No! no! In my opinion the best sort of husband is a man who has
almost the whole management of a Department in his hands.
_Anoùch._ Why anticipate? Why treat with contumely a man capable of
appreciating the social intercourse of high-class society?
_Yaìch._ Madam, it is for you to decide! (_Silence._)
_Fèkla._ Speak up, little mother! Tell them something.
_Yaìch._ What have you to say?
_Koch._ What is your opinion, Agàfia Tikhònovna?
_Fèkla_ (_aside to her_). Make haste! say “Thank you,” or “With the
greatest pleasure,” or something.... It’s not proper to sit like that!
_Agàfia._ I’m ashamed, I’m ashamed, really. I shall go away. Auntie!
stop here instead of me!
_Fèkla._ No, no, you musn’t go away; it’s improper, it’s disgraceful.
They’ll think ... I don’t know what!
_Agàfia_ (_aside_). No, no, I can’t stand it, I can’t—I can’t! (_Runs
away. Arìna and Fèkla follow her._)
_Yaìch._ Well, that’s a good one—everybody’s gone away. What’s the
meaning of that?
_Koch._ I expect something’s happened.
_Zhev._ Oh, no doubt it’s some little matter of feminine toilet.... They
want to pin something, or to put the camisole straight, or—— (_Enter_
FÈKLA.)
_All_ (_crowding round her_). What is it? What’s the matter?
_Koch._ Has anything happened?
_Fèkla._ Of course not! What should happen?
_Koch._ Then why did she go away?
_Fèkla._ Why, you made the poor girl bashful, all of you—frightened and
upset her till she couldn’t stand it. She sends you her excuses, and
asks you to come in for a cup of tea in the evening. (_Exit._)
Public-domain text, read in full here on John Shaqi.
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