The Hundred, and Other StoriesBrownell, Gertrude Hall
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The Hundred, and Other Stories
Brownell, Gertrude Hall
American fiction -- 19th century; Short stories, American
She looked at him more closely than before in her overrunning joy,
and her face fell a little. No doubt she had seen herself in mirrors
since her alteration, but not in a real mirror until she saw herself
reflected in his very pale face. She smiled still, but a little
foolishly; then no more, and stopped chatting. It was as if a stone
had been set to seal up a spring--a large stone laid upon her bubbling
heart. There was a silence.
He saw that she must be seeing what he could not keep out of his face.
He could not help it; he could get no control over his feelings, over
his expression. He was not sure he cared to--he did not try. He was at
sea: he did not know what he felt, what he did not feel. The bottom
seemed to have dropped out of his heart, out of the world--out of
something, everything. He knew not! He only knew he was sick--sick, and
incapable of speech, of action, of reflection.
"You can't stay here, child," he heard some one saying, in a
matter-of-fact, superficial voice. "Don't you see, yourself, that you
can't? For your own sake, I mean. It would never do, Minnie. You must
understand that. You don't know what a thing a small country village
like this is, for gossip and slanderous tongues. I couldn't let you
injure yourself so, don't you see?"
"It wouldn't be proper?" she inquired, faintly.
"No, Minnie; no, it wouldn't--at all. Don't you see it?"
She got to her feet, full as pale as he now.
"All right," she said, and after a few mechanical steps, paused a
moment, looking down, biting her finger--lost in thought, or waiting
for something to happen, for him to say something further.
He could not speak--he could not make himself speak.
"All right," she said again, very distinctly, and turned to go without
another word.
"Minnie! Minnie!" he faltered, and had instinctively cast himself
after her. His outstretched hand almost touched her pink draperies.
She turned on him fiercely, whisking herself out of reach. He was
confronted for a second by a little angry street-boy face, but with
the gathered experience and woe of half a race in the eyes. "Let me
alone! Don't dare to touch me! Nathaniel Fraisier, I hate you!"
She began desperately to run. He saw her clutch her poor little ruined
head, and heard her cry out, breaking into sobs: "Oh, my hair! Oh, my
hair!"
He dropped in the grass, face downward, and pressed his hands over his
ears, trembling. It all seemed so strange, so out of proportion.
Public-domain text, read in full here on John Shaqi.
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