The Hundred, and Other StoriesBrownell, Gertrude Hall
General
The Hundred, and Other Stories
Brownell, Gertrude Hall
American fiction -- 19th century; Short stories, American
In the late afternoon of that same hot day the crabbed little bell on
Madame Finibald's door snapped to let in a tired, dusty youth, whose
dejected face was so flushed, one's thought at sight of him turned
at once on sunstroke. He leaned wearily over the counter and asked a
few questions, at which madame's liver seemed so shaken she could not
keep a hold on her good manners. At the height of her voice she began
berating all the world, and one absent person. Fraisier tried to calm
her, with vague, soothing motions of his hands patting down the air.
When she subsided enough for him to be heard, he pointed to a long
tail of shining hair in the window, and spoke again, growing redder,
if possible, than before--so red that his eyes watered, and he had to
shade them a moment, leaning his elbows on the counter. She unhitched
the hair, shaking it brutally. He put out his hands in remonstrance.
She flung it down before him with a forbidding proposition and a deep
snort of malice. Meekly he emptied his purse on the counter, unfolding
the bills, spreading out the silver and lucky pieces to count,
reserving only for himself a crumpled ticket.
She watched him with gleeful, avaricious eyes. After computation, he
rose without breath of argument and went down the street to pawn his
watch and studs and cigarette-case, returning solvent.
He left with a rather unsightly parcel in his hand; the cover was burst
in more than one place. Madame Finibald had not been so particular
as she sometimes was in the selection of her wrapping-paper. He had
no overcoat and no pocket large enough to put his prize in; he was
forced to hold it, conscious how it was heavy and soft and its contents
gleamed through the holes.
He got home at dark, reporting to his landlady with his back to the
light. He wanted nothing to eat: there were lamps and voices in the
dining-room. He could not go to bed, worn out as he was: on the porch
below his window was singing and picking of strings.
He went forth into the fields. At last, beyond all sounds but the
summer's own, he sank on the grass. He did not look up once at the
stars, but lay sprawling with his forehead on his crossed arms, and
let his heart torture itself at its own good leisure. He drank deeper
and deeper of its dark bitterness, forcing himself recklessly to it,
reaching a sort of desperate drunkenness. It seemed to his inexperience
there could be nothing worse at any time in this life to taste.
Public-domain text, read in full here on John Shaqi.
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