England -- Description and travel; Icknield Way (England); Thomas, Edward, 1878-1917
The man leaned with his chest upon his hands, which were upon the
handle of his fork. Only a few years ago--either three or four--he
could not have ascertained by any searching of memory--he had been
young, and treated with contempt or with pitiful kindness by those
of more years. But now he had come by unknown ways to feel that he
differed from mature men, not by anything positive that could be called
youth, but only by some undefinable lack which condemned him to a kind
of overblown immaturity. Thus when he consciously or unconsciously
demanded a concession such as might be due to youth for some act or
attitude, he met, in the individual or in society in some corporate
form or other, a blankness or positive severity at which he recoiled
with open but as yet uncertainly comprehending eyes. Of young men he
was now sometimes jealous; of middle-aged men afraid and no longer
defiant. Towards the contemporaries with whom he had shared thought
and experience for some years he felt jealousy, if he seemed to have
outstripped them in the unwilling race; fear, if it was himself that
lagged; and towards only one or two a fair and easy freedom, and that
only intermittently. Therefore no more destitute and solitary man
looked that night on the stars. Yet they were as bright and the hills
under them as noble as those we saw to-day on the road from Dunstable.
Suddenly he awakened and thrilled to the sound of a woman’s voice
singing alone somewhere away from where he stood. He forgot who and
where he was. He was no longer weary and muddied by self-supporting
thoughts. His imagination went out of him and grasped each note simply
and boldly. Where there had been nothing, there the liquid voice
mounted in its beautiful, unseen form amidst the darkness. The singer
was among the dark trees, probably in the climbing road to one side
of him; the curve of that ascent, always a thing of simplicity and
nobleness, was now glorious, romantic as it soared out of the valley to
the clear heights.
Either the singer was walking slowly up or she was riding, but no
footfall or turn of wheel was to be heard. It was a powerful voice,
confident and without care. It leapt up with a wild, indolent flight,
for one short verse of indistinguishable words, in a melody exulting in
the wildness of love and pride of youth, and then fell upon silence.
That silence bore its part also.
Public-domain text, read in full here on John Shaqi.
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