England -- Description and travel; Icknield Way (England); Thomas, Edward, 1878-1917
But the listener had no sooner lost the first joy over the insurrection
of melody, begun to consider--whilst waiting breathless for its
return--who she might be, what she was doing now, whether a lover
was walking beside her, when she sang again, higher up the road. The
first note rose up to the highest stars, clear and fresh and having a
power like light over the gloom. Other notes hovered after it at the
same height, and then with one swoop as of an eagle fell to the earth
and silence before even a verse was finished. A low laugh drawn out
very long an instant afterwards confirmed the first impression of the
singer’s ease and joyousness. The man could see her neck lifted eagerly
and her eyes flashing towards the lover or towards the stars, her lips
parted, her breast heaving with deep draughts of the night and passion,
her feet pacing with languid strength. He himself stood still as any
tree in the ebb of the wind.
Oh, for a horse to ride furiously, for a ship to sail, for the wings
of an eagle, for the lance of a warrior or a standard streaming to
conquest, for a man’s strength to dare and endure, for a woman’s beauty
to surrender, for a singer’s fountain of precious tones, for a poet’s
pen!
He trembled and listened. The silence was unbroken; not a footstep or
whisper was to be extracted from it by his eager and praying ear. He
shivered in the cold. The last dead leaves shook upon the beeches, but
the silence out there in that world still remained. She was walking or
she was in her lover’s arms, for aught he knew. No sound came up to
him where he stood eager and forlorn until he knew that she must be
gone away for ever, like his lyric desires, and he went into his house
and it was dark and still and inconceivably empty.
As I turned into the inn and left him he was inclined either to put
down that evening half to happiness and half to melancholy, or to cross
out one or other of those headings as being in his case tautological.
Public-domain text, read in full here on John Shaqi.
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