England -- Description and travel; Icknield Way (England); Thomas, Edward, 1878-1917
until the silent room was quite dark and his children came home from
the roundabouts. A man came heavily down the street wheeling a barrow,
stopped outside and called for a pint; while he waited he ruminated,
looking down the street to the first stars and whistling “Beside the
seaside, beside the sea,” then he tipped up his tankard, emptied it,
and went off in a determined manner.
When I went up to bed I was astonished to find a bedroom that was not
at all new to me, though I had never before, to my knowledge, stopped
at this inn. If it was an illusion, the pictures created it. I had
certainly seen them before, in Wales, in Cornwall, in Wiltshire, and
in Kent. What first caught my eye was a beauteous female of a far from
slender type kneeling unharmed in the midst of roaring waters. She
had on a snowy night-dress, over which her curls flowed far down in
admirable disorder. The foam of the sea flew all over and round her
without wetting her night-dress or taking the gloss out of her curls.
Her face also seemed unaffected by her extraordinary position on a
small, isolated rock in the sea, and wore an expression that would have
been better suited to an afflicted lady in her own apartment. She was
suffering, but not from exposure to cold and wet, and what was more
extraordinary still was, that on this solitary rock she had found a
quantity of thick, velvety stuff, and on this, as was natural, she was
kneeling to save her tender knees from the unaccustomed rock.
On the opposite wall hung a similar picture, I suppose by the same
artist, for surely there could be only one man who had these marvellous
visions--visions they must have been, since no one could invent things
so improbable and, without their visionary character, so ridiculous.
Here also the scene was a wild sea and a rock in the midst. One
beauteous girl of the same type as in the other picture was in the
water, another had apparently just clambered up on to the rock. I say
apparently, but her night-dress was dry, snow-white, and untorn. I
say apparently, because I could only imagine that the two had been
swimming together and one had got first to the rock; for it was not
likely that one should find herself on a rock in this position and then
by mere chance see a fellow-mortal of the same sex, age, beauty, and
costume struggling with the waves close by. Her struggle was nearly
over, for the beauty on the rock, kneeling on the velvet carpet which,
by a fortunate accident, almost covered it, bent over in an attitude
of much grace and caught her unhappy sister by one of her fair hands.
The face of the swimmer was upturned and exquisitely sad, but, as in
the other picture, it was not the sadness of a swimmer in stormy and
dark waters, but rather of a lady inwardly tormented by some difficulty
of the “heart” or of the “spirit,” to use a popular physiology. Her
sadness was great, and naturally so; but I should have expected to
see astonishment mingled with it, because what could be seen of her
Public-domain text, read in full here on John Shaqi.
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