"Precisely," smiled the Poet. "You have the right notion about that. The form of a poem should really be adapted to the substance. It should be descriptive, always. Tennyson's 'Charge of the Light Brigade' has in its rhythm nothing more or less than the clatter of the horses' hoofs as they and their riders dashed through the valley of death at Balaklava. And how vividly Southey's brook comes before the mind in its mad rush downward as one reads that wonderfully lyrical poem. Why don't you write a book of household poetry? You seem to me to be eminently well qualified to undertake it." "I intend to," said the Idiot. "In fact, I've begun it already. Written five or six. Like to see 'em?" "Indeed I should," said the Poet. "Anything you do interests me." The Idiot went to his desk and took from it a few pages of manuscript. "Here is a thing on pokers I did the other night. I called it 'The Song of the Poker Bold.'" And then he read these lines: "Warder of the grate am I, Ever standing near; Poking, poking all day long, Knowing naught of fear. "Keeping coals up to their work, Setting them aglow, Minding not the scorching heat, Rather like it so. "Knocking ashes right and left, Flirting with the tiles; Bossing tongs and seeing that The brazen kettle biles. "And the little girls and boys As they watch me pause, Wishing that I'd talk and tell 'Bout old Santa Claus! "Cracking jokes with crickets on The merry hearth, elate; Happy lot indeed is mine-- Warder of the grate!" "Splendid!" cried the Poet, clapping his hands with enthusiasm. "Splendid! A good stiff pokeresque lyric, and your characterization of the poker as the 'Warder of the Grate' gives it a flavor of romance. You could almost imagine the implement going out into a mediæval world in search of knightly adventure--a sort of hearth-stone Quixote. Have you tackled the clothes-pin yet?" "Yes," replied the Idiot. "Indeed, my first effort was a lyric on the clothes-pin. I started one night to do the contents of the kitchen-dresser drawer in French forms, but the first thing I took out was an egg-beater, and it wouldn't go, so I did the clothes-pin lyric. I call it "FIDELITY "Blow, ye winds, I fear ye not; Blast, ye simoon, Sere and hot! "Hurricane, And cyclone, too, Blow, I have no Fear of you. "Lacking beauty, Lacking grace, Lacking handsome Form and face; "Lacking soul And intellect, Still I stand up, Proud, erect. "For the Fates Have given me Wondrous great Tenacity. "And success, Both fair and fine, Comes to him Who holds his line. "Burrs can stick And so can glue-- Mucilage, Stratena, too; "But there's nothing Holds so fast As the clothes-pin To the last." "And you gave up the egg-beater altogether?" asked the Poet, restraining a natural inclination to find flaws in the construction of the clothes-pin poem.