"The pleasantest things in the world all begin with a P. Powders,
patches and poses--what should we do without them?..."
This sort of thing came out at loose ends now and then. Suddenly the
music ceased altogether. The diners all looked as if they had been
caught in a crime. The lights went out in the room, and there were
little smothered shrieks. After an interval, a rosy glow lit up the
conservatory beyond the palms; a little stage showed in the distance.
Some notorious people from the music-halls began to do songs and dances,
and offer comic monologues. The diners fell into a sort of lethargy.
They did not even notice that Orson Vane's chair was empty.
Vane was in a little boudoir lent him by the hostess. His nostrils
dilated with the perfume of her that he felt everywhere. He sank into a
silk-covered chair, before which he had arranged a full-length mirror,
and several smaller glasses, with candles glowing all about him. He was
conscious of a cloying sense of happiness over his physical perfections.
He stripped garment after garment from him with a care, a gentleness
that argued his belief that haste was a foe to beauty. He stretched
himself at full length, in epicurean enjoyment of himself. The flame of
life, he told himself, burnt the more steadily the less we wrapped it
up. If we could only return to the pagan life! And yet--what charm there
was in dress! The body had, after all, a monotony, a sameness; the
tenderest of its curves, the rosiest of its surfaces, must pall. But the
infinite variety of clothes! The delight of letting the most delicate
tints of gauze caress the flesh, while to the world only the soberest
stuffs were exposed! The rustle of fresh linen, the perfume that one
could filter through the layers of one's attire!
Orson Vane closed his eyes, lazily, musingly. At that moment his proper
soul was quite in subjection; the ecstasy in the usurping soul was
all-powerful.
He was thinking of what the cheval-glass in that little room must have
seen.
It would be unspeakably fine to be a mirror.
The little crystal clock ticking on the dressing-table tinkled an hour.
It brought him from his reveries with a start. He began gliding into
some shining, silken things of umber tints; they fitted him to the skin.
He was a falconer.
It was a costume to strike pale the idlers at a bathing beach. There was
not a crease, not a fold anywhere. A leathern thong upon a wrist, a
feathered cap upon his head, were almost the only points that rose away
from the body as God had fashioned it. Satisfaction filled him as he
surveyed himself. But there was more to do. Above this costume he put
the dress of a Spanish Queen. When he lifted the massively brocaded
train, there showed the most exquisitely chiseled ankles, the promise of
the most alluring legs. The corsage hinted a bust of the most soothing
softness. He spent fully ten minutes in happy admiration of his images
in the mirrors.
Public-domain text, read in full here on John Shaqi.
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