When he proceeded to the conservatory, it was by a secret corridor. The diners were wearily watching a Frenchwoman who sang with her gloves, which were black and always on the point of falling down. She was very pathetic; she was trying to sing rag-time melodies because some idiot had told her the Newport set preferred that music. A smart young woman had danced a dance of her own invention; everyone agreed, as they did about the man who paints with his toes, that, considering her smartness in the fashionable world, it was not so much a wonder that she danced so well, as that she danced at all. They were quite sure the professional managers would offer her the most lavish sums; she would be quite as much of an attraction as the foreign peer who was trying to be a gentleman, where they are most needed, on the stage. At a sign from Orson, the lights went out again, as the Frenchwoman finished her song. Several of the guests began to talk scandal in the dark; there are few occupations more fascinating than talking scandal in the dark. The question of whether it was better to be a millionaire or a fashionable and divorced beauty was beginning to agitate several people into almost violent argument, when the lights flared to the full. The chorus of little "Ohs" and "Ahs," of rapid whispered comment, and of discreetly patted gloves, was quite fervid for so smart an assemblage. Except in the rarest cases, to gush is as fatal, in the smart world, as to be intolerant. There is a smart avenue between fervor and frowning; when you can find that avenue unconsciously, in the dark, as it were, you have little more to learn in the code of smartness. Mrs. Sclatersby herself murmured, quite audibly: "How sweet the dear boy looks!" Her clan took the word up, and for a time the sibilance of it was like a hiss in the room. A man or two in the company growled out something that his fairer neighbor seemed unwilling to hear. These basso profundo sounds, if one could formulate them into words at all, seemed more like "Disgusting fool!" or "Sickening!" than anything else. But the company had very few men in it; in this, as in many other respects, the room resembled smart society itself. The smart world is engineered and peopled chiefly by the feminine element. The male sex lends to it only its more feminine side. It is almost unnecessary to describe the picture that Orson Vane presented on that little stage. His beauty as "Isabella, Queen of Spain," has long since become public property; none of his later efforts in suppression of the many photographs that were taken, shortly after the Sclatersby dinner, have succeeded in quite expunging the portraits. At that time he gave the sittings willingly. He felt that these photographs represented the highest notch in his fame, the completest image of his ability to be as beautiful as the most beautiful woman.