Shame or nervousness was not part of Orson Vane's personality that
night. He sat there, in the skillfully arranged scheme of lights, with
his whole body attuned only to accurate impersonation of the character
he represented. He got up. His motion, as he passed across the stage,
was so utterly feminine, so made of the swaying, undulating grace that
usually implies the woman; the gesture with his fan was so finically
alluring; the poise of his head above his bared shoulders so
coquettish,--that the women watching him almost held their breaths in
admiration.
It was, you see, the most adroit flattery that a man could pay the
entire sex of womankind.
Then the music, a little way off, began to strum a cachuca. The tempo
increased; when finally the pace was something infectious, Orson Vane
began a dance that remains, to this day, an episode in the annals of the
smart. The vigor of his poses, the charm of his skirt-manipulation,
carried the appreciation of his friends by storm. Some of the ladies
really had hard work to keep from rushing to the stage and kissing the
young man then and there. When we are emotional, we Americans--to what
lengths will we not go!
But the surprises were not yet over. A dash of darkness stayed the
music; a swishing and a flapping came from the stage; then the lights.
Vane stood, in statue position, as a falconer. You could almost, under
the umber silk, see the rippling of his veins.
Only a second he stood so, but it was a second of triumph. The company
was so agape with wonder, that there was no sound from it until the
music and the bare stage, following a brief period of blackness,
recalled it to its senses. Then it urged Mrs. Sclatersby to grant a
great favor.
Mr. Vane must be persuaded not take off his falconer's costume; to
mingle, for what little time remained, with the company without resuming
his more conventional attire.
Vane smiled when the message came to him. He nodded his head. Then he
sent for the Sclatersby butler.
"Plenty of Red Ribbon!" he said to that person.
"Plenty, sir."
"Make a note of your commissions; a cheque in the morning."
Then he mingled again with his fellow-guests, and there was much
toasting, and the bonds all loosened a little, and the sparkle came up
out of the glasses into the cheeks of the women. The other men, one by
one, took their way out.
Women crushed one another to touch the hero of the evening. Jealousies
shot savage glances about. Every increase in this emulation increased
the love that Orson Vane felt for himself. He caressed a hand here, a
lock there, with a king's condescension. If he felt a kiss upon his
hand, he smiled a splendid, slightly wearied smile. If he had hot eyes
turned on him, burning so fiercely as to spell out passion boldly, he
returned, with his own glances, the most ineffable promises.
Public-domain text, read in full here on John Shaqi.
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