She did not have to perish. Things took a turn, as they will even in the
smart world, and there came a time when it was fashionable to be
intellectual. The smart set turned from the distractions of dinners and
divorces to the allurements of the arts. Music, painting and literature
became the idols of the hour. With that bland, heedless facility that
distinguishes To-day, the men and women of fashion became quickly versed
in the patter of the Muses.
The Van Fennos became the rage. Everybody talked of his music and her
charm. Where the reporters had once used space in describing
Spalding-Wentworth's leadership in a cotillon or conduct of a coach,
they were now required to spill ink in enumeration of "those present"
at Mrs. Van Fenno's "musical afternoons."
Wherefore there was a cloud on the fair brow of Mary Wentworth. Her
intimates were privileged to call her that. Ordinary mortals, omitting
the hyphen, would have been frozen with a look.
When there is a cloud on the wife's brow it bodes ill for the husband.
The follies of a married man should be dealt with leniently; they are
mostly of his wife's inspiration. One day the cloud cleared from Mary
Wentworth's brow. She was sitting at breakfast with her husband.
"Why, Clarence," she exclaimed, with a suddenness that made him drop his
toast, "there's literature!"
"Where?" said Clarence, anxiously. "Where?" He looked about, eager to
please.
"Stupid," said his wife. "I mean--why shouldn't we, that is, you--" She
looked at him, sure that he would understand without her putting the
thing into syllables. "Yes," she repeated, "literature is the thing.
There it is, as easy, as easy--"
"Hasn't it always been there?" asked her dear, dense husband. A woman
may brood over a thing, you see, for months, and the man will not get so
much as a suspicion.
She went on as if he had never spoken. "Literature is the easiest.
Clarence, you must write novels!"
He buttered himself another slice of toast.
"Certainly, my dear," he nodded, with a pleasant smile. "Quite as you
please."
Public-domain text, read in full here on John Shaqi.
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