It was in this way that the Spalding-Wentworth novels were incited. The
art of writing badly is, unfortunately, very easy. In painting and in
music some knowledge of technic is absolutely necessary, but in
literature the art of writing counts last, and technic is rarely
applauded. The fact remains that the smart set thought the
Spalding-Wentworth novels were "so clever!" Mrs. Van Fenno was utterly
crushed. Mary Wentworth informed an eager world that her husband's next
novel would be illustrated with caricatures by herself; she had
developed quite a trick in that direction. Now and again her husband
refused to bother his head with ambitions, and devoted himself entirely
to red coats and white balls. Mrs. Wentworth's only device at such times
was to take desperately to golf herself. She really played well; if she
had only had staying power, courage, she might have gone far. But, if
she could not win cups, she could look very charming on the clubhouse
lawn. One really does not expect more from even a queen.
It did not disturb Mrs. Wentworth at all to know that, where he was best
known, her husband's artistic efforts were considered merely a joke. She
knew that everyone had some mask or other to hold up to the world; and
she knew there was nothing to fear from a brute of a man or two. In her
heart she agreed with them; she knew her husband was a large, kindly,
clumsy creature; a useful, powerful person, who needed guidance.
Kindly and clumsy--Clarence Spalding-Wentworth had title to those two
adjectives: there was no denying that. It was his kindliness that moved
him, after a busy day at a metropolitan golf tournament, toward Orson
Vane's house. He had heard stories of Vane's illness; they had been at
college together; he wanted to see him, to have a chat, a smoke, a good,
chummy hour or two.
It was his clumsiness that brought about the incident that came to have
such memorable consequences. Nevins told him Mr. Vane was out; Wentworth
thought he would go in and have a look at Vane's rooms, anyway; sit
down, perhaps, and write him a note. Nevins had swung the curtain to
behind him when Wentworth's heel caught in the wrapping around the new
mirror.
He looked into the pool of glass blankly.
"Funny thing to cover up a mirror like that!" he told himself. He flung
the stuff over the frame carelessly. It merely hung by a thread. Almost
any passing wind would be sure to lift it off.
"Wonder where he keeps his smokes?" he hummed to himself, striding up
and down, like a good natured mammoth.
He found some cigars began puffing at one with an audible satisfaction,
and at last let himself down to an ebony escritoire that he could have
smashed with one hand. He wrote a scrawl; waited again, whistled, looked
out of the window, picked up a book, peered at the pictures, and then,
with a puff of regret, strode out.
As he passed the Professor's mirror the current of air he made swept the
curtain from the glass and left it exposed.
CHAPTER X.
Public-domain text, read in full here on John Shaqi.
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