"No. My curtain speech for to-morrow night. It's the last night of the
season, and they expect it of me, you know. I've vowed, time and again,
I would never make another curtain-speech in my life, but they will have
them, they will have them!" He sighed, in submission to his fate. Then
he returned to a previous thought. "I wish, though," he said, "that I
could persuade you to do a play for me. Think it over! Think of the name
it would give you. Or you might try managing me. Eh, how does that
strike you? Such a relief to me if I could deal with a gentleman. You
have no idea--the cads there are in the theatre! They resent my being a
man who tries to prove a little better educated than themselves. They
hate me because I am college-bred, you know; they prefer actors who
never read. How many books do you think I read before I attempted
_Voltaire_? A little library, I tell you. And then the days I spent in
noting the portraits! I traveled France in my search. For the actor who
takes historic characters there cannot be too many documents.
Imagination alone is not enough. And then the labor of making the play
presentable; I wish you could see the thing as it first came to me! You
would think a man like O'Deigh would have taken into consideration the
actor? But no; the play, as O'Deigh left it, might have been for a stock
company. _Frederick the Great_ was as fine a part as my own. Oh, they
are numbskulls. And the rehearsals! Actors are sheep, simply sheep. The
papers say I am a brute at rehearsals. My dear Vane, I swear to you that
if Nero were in my place he would massacre all the minor actors in the
land. And they expect the salaries of intelligent persons!"
Vane, listening, wondered why Wantage, under such an avalanche of
irritations, continued such life. Gradually it dawned on him that all
this fume and fret was merely part of the man's mummery; it was his
appeal to the sympathy of his audience; his argument against the
reputation his occasional exhibitions of rage and waywardness had given
him.
Vane's desire to penetrate the surface of this conscious imitator, this
fellow who slipped off this character to assume that, grew keener and
keener. Where, under all this crust of alien form and action, was the
individual, human thought and feeling? Or was there any left? Had the
constant corrosion of simulated emotions burnt out all the original
character of the mind?
Vane could not sufficiently hasten the end for which he had invited
Wantage.
"You are," he said presently, as a lull in the other's monologue allowed
him an opening, "something of an amateur of tapestry, of pictures, of
bijouterie. I have a little thing or two, in my dressing-room, that I
wish you would give me an opinion on."
They took their cigarettes into the adjoining dressing-room. Wantage
went, at once, to the mirrors.
Public-domain text, read in full here on John Shaqi.
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