The Immortal; Or, One of the "Forty.": (L'immortel) - 1877 — John Shaqi
The Immortal; Or, One of the "Forty.": (L'immortel) - 1877Daudet, Alphonse
General
The Immortal; Or, One of the "Forty.": (L'immortel) - 1877
Daudet, Alphonse
Intellectuals -- France -- Fiction; Paris (France) -- Fiction
The feminine element was lacking in charm. The Countess Foder,
red-haired, small, and lively, enveloped in lace to the tip of her
little pointed nose, looked like a squirrel with a cold in its head.
Baroness Huchenard, a lady of no particular age and with a moustache,
produced the effect of a very fat old gentleman in a low dress. Madame
Astier, in a velvet dress partly open at the neck, a present from the
Duchess, had sacrificed on the altar of friendship the pleasure she
would have had in displaying her arms and shoulders, the remains of her
beauty; and thanks to this delicate attention the Duchess Padovani
looked as if she were the only woman at dinner. The Duchess is elegantly
dressed, tall and fair, with a tiny head and fine eyes of a golden hazel
colour--eyes whose shifting haughty glance, from under long dark brows
almost meeting, shows their power of expressing kindness, affection,
or anger. Her nose is short, her mouth emotional and sensitive, and her
complexion has the brilliancy of a young woman’s, owing to her custom
of sleeping in the afternoon when she is going out in the evening or
receiving friends at her own house. A long residence abroad at Vienna,
St. Petersburg, and Constantinople, where as the wife of the French
Ambassador it had been her duty to set the fashion to French society,
has left in her manners a certain air of superior information, which the
ladies of Paris find it hard to forgive. She talks graciously to them
as though they were foreigners, and explains things to them which they
understand as well as she. In her house in the Rue de Poitiers the
Duchess still acts as though representing Paris among the Kurds. It is
the sole defect of this noble and splendid lady.
Though there were, so to speak, no women, no bright dresses showing arms
and shoulders and breaking the monotony of black coats with a blaze of
jewels and flowers, still the table was not without colour. There was
the violet cassock of the Nuncio with his broad silk sash, the purple
_Chechia_ of Mourad Bey, and the red tunic of the Papal Guard with its
gold collar, blue embroideries, and gold braid on the breast, decorated
also with the huge brilliant cross of the Legion of Honour, which the
young Italian had received that very morning, the President thinking
it proper to reward the successful delivery of the Cardinal’s hat.
Scattered about, too, were ribbons green, blue, and red, and the silvery
gleam and sparkling stars of decorations and orders.
Public-domain text, read in full here on John Shaqi.
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