The Importance of Being Earnest: A Trivial Comedy for Serious PeopleWilde, Oscar
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The Importance of Being Earnest: A Trivial Comedy for Serious People
Wilde, Oscar
Comedy plays; England -- Drama; Foundlings -- Drama; Identity (Psychology) -- Drama
ALGERNON.
I haven’t the smallest intention of doing anything of the kind. To
begin with, I dined there on Monday, and once a week is quite enough to
dine with one’s own relations. In the second place, whenever I do dine
there I am always treated as a member of the family, and sent down with
either no woman at all, or two. In the third place, I know perfectly
well whom she will place me next to, to-night. She will place me next
Mary Farquhar, who always flirts with her own husband across the
dinner-table. That is not very pleasant. Indeed, it is not even decent
. . . and that sort of thing is enormously on the increase. The amount
of women in London who flirt with their own husbands is perfectly
scandalous. It looks so bad. It is simply washing one’s clean linen in
public. Besides, now that I know you to be a confirmed Bunburyist I
naturally want to talk to you about Bunburying. I want to tell you the
rules.
JACK.
I’m not a Bunburyist at all. If Gwendolen accepts me, I am going to
kill my brother, indeed I think I’ll kill him in any case. Cecily is a
little too much interested in him. It is rather a bore. So I am going
to get rid of Ernest. And I strongly advise you to do the same with Mr.
. . . with your invalid friend who has the absurd name.
ALGERNON.
Nothing will induce me to part with Bunbury, and if you ever get
married, which seems to me extremely problematic, you will be very glad
to know Bunbury. A man who marries without knowing Bunbury has a very
tedious time of it.
JACK.
That is nonsense. If I marry a charming girl like Gwendolen, and she is
the only girl I ever saw in my life that I would marry, I certainly
won’t want to know Bunbury.
ALGERNON.
Then your wife will. You don’t seem to realise, that in married life
three is company and two is none.
JACK.
[Sententiously.] That, my dear young friend, is the theory that the
corrupt French Drama has been propounding for the last fifty years.
ALGERNON.
Yes; and that the happy English home has proved in half the time.
JACK.
For heaven’s sake, don’t try to be cynical. It’s perfectly easy to be
cynical.
ALGERNON.
My dear fellow, it isn’t easy to be anything nowadays. There’s such a
lot of beastly competition about. [The sound of an electric bell is
heard.] Ah! that must be Aunt Augusta. Only relatives, or creditors,
ever ring in that Wagnerian manner. Now, if I get her out of the way
for ten minutes, so that you can have an opportunity for proposing to
Gwendolen, may I dine with you to-night at Willis’s?
JACK.
I suppose so, if you want to.
ALGERNON.
Yes, but you must be serious about it. I hate people who are not
serious about meals. It is so shallow of them.
[Enter Lane.]
LANE.
Lady Bracknell and Miss Fairfax.
[Algernon goes forward to meet them. Enter Lady Bracknell and
Gwendolen.]
LADY BRACKNELL.
Good afternoon, dear Algernon, I hope you are behaving very well.
ALGERNON.
I’m feeling very well, Aunt Augusta.
Public-domain text, read in full here on John Shaqi.
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