Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
"I know the very thing," said the Aunt, and went on to tell of Madame
Gautier, of her cloistral home in Paris where she received a few
favoured young girls, of the vigilant maid who conducted them to and
from their studies, of the quiet villa on the Marne where in the
summer an able master--at least 60 or 65 years of age--conducted
sketching parties, to which the students were accompanied either by
Madame herself, or by the dragon-maid.
"I'll stand the child six months with her," she said, "or a year even.
So it won't cost you anything. And Madame Gautier is in London now.
You could run up and talk to her yourself."
"Does she speak English?" he asked, anxiously, and being reassured
questioned further.
"And you?" he asked. And when he heard that Norway for a month and
then America en route for Japan formed Miss Desmond's programme for
the next year he was only just able to mask, with a cough, his deep
sigh of relief. For, however much he might respect her judgment, he
was always easier when Lizzie and her Aunt Julia were not together.
He went up to town, and found Madame Gautier, the widow of a French
pastor, established in a Bloomsbury boarding-house. She was a woman
after his own heart--severe, simple, earnest. If he had to part with
his Lizzie, he told himself in the returning train, it could be to no
better keeper than this.
He himself announced his decision to Betty.
"I have decided," he said, and he spoke very coldly because it was so
very difficult to speak at all, "to grant you the wish you expressed
some time ago. You shall go to Paris and learn drawing."
"Do you really mean it?" said Betty, as coldly as he.
"I am not in the habit of saying things which I do not mean."
"Thank you very much," said Betty. "I will work hard, and try that the
money shan't be wasted."
"Your aunt has kindly offered to pay your expenses."
"When do I go?" asked Betty.
"As soon as your garments can be prepared. I trust that I shall not
have cause to regret the confidence I have decided to place in you."
His phrasing was seldom well-inspired. Had he said, "I trust you, my
child, and I know I shan't regret it," which was what he meant, she
would have come to meet him more than half-way. As it was she said,
"Thank you!" again, and left him without more words. He sighed.
"I don't believe she is pleased after all; but she sees I am doing it
for her good. Now it comes to the point her heart sinks at the idea of
leaving home. But she will understand my motives."
The one thought Betty gave him was:
"He can't bear the sight of me at all now! He's longing to be rid of
me! Well, thank Heaven I'm going to Paris! I will have a grass-lawn
dress over green, with three rows of narrow lace insertion, and a hat
with yellow roses and--oh, it can't be true. It's too good to be true.
Well, it's a good thing to be hated sometimes, by some people, if they
only hate you enough!"
* * * * *
Public-domain text, read in full here on John Shaqi.
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